Idées Fixes of the Week

Zena Assi: from the Beirut series

I’ve wallowed in Zena Assi’s Cities series, meticulously detailed paintings of Beirut. Look close enough and you can see laundry hanging between buildings.

*****

Influenced by Geoff Dyer’s review I read Richard Lloyd Parry’s People Who Eat Darkness: The Fate of Lucie Blackman. The narrative is well constructed and compelling. Tokyo comes alive, as does each character. I read the book in two sittings, flagging only a little toward the end. Though I share Dyer’s admiration for Parry’s writing I am torn by the nature of the genre.

It is the first (and last) time I dip into the ‘true crime’ genre. The act of analysing and building narrative from the actions and emotions of the Blackman family and their friends, not characters but people in England, living not too far from where I live, feels exploitative. Is that just me being overly squeamish? How do you accurately interpret somebody’s emotions, and consequent actions, when they are living through such a horrendous experience? With the impossibility of accessing another person’s ‘inner’ feelings, any such interpretation is just what David Ellis termed ‘affable pretence’.

*****

*****

Post a Comment

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s