Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.
Gerhard Richter is the top-selling living artist. This thrilling lecture/essay [PDF] takes two of Richter’s paintings (including The Reader) and examines them using as a framework Heidegger’s thesis that art should be understood as a discovery and disclosure of truth. “Things, scenes and persons depicted do not act for the spectator; rather, they act as if the spectator is not present.”
Chris Kraus’s intelligent, controversial I Love Dick narrates an infatuation with a fictional media theorist based, allegedly, on Dick Hebdige, whose 1979 Subculture: The Meaning of Style , [PDF]influenced by Julia Kristeva’s work, provides a semiotic reading of punk.
In The Art of Fiction Henry James provides a practical, radical definition of the novel, arguing that the craft of writing cannot be taught and pouncing on the failings of philistine readers. Surprisingly relevant and amusing to read.
Do you know Borges’s short story, Of Exactitude in Science? It is a favourite, and short enough to quote:
In that Empire, the craft of Cartography attained such Perfection that the Map of a Single province covered the space of an entire City, and the Map of the Empire itself an entire Province. In the course of Time, these Extensive maps were found somehow wanting, and so the College of Cartographers evolved a Map of the Empire that was of the same Scale as the Empire and that coincided with it point for point. Less attentive to the Study of Cartography, succeeding Generations came to judge a map of such Magnitude cumbersome, and, not without Irreverence, they abandoned it to the Rigours of sun and Rain. In the western Deserts, tattered Fragments of the Map are still to be found, Sheltering an occasional Beast or beggar; in the whole Nation, no other relic is left of the Discipline of Geography.
I mention Borges’s story because I am always reminded of it by Jean Baudrillard’s Simulcra and Simulation [PDF] in which he argues that our models and maps have distanced us from the real world that preceded the models and maps:
It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that offers all the signs of the real and short-circuits all its vicissitudes.
Paul Virilio’s The Information Bomb [PDF] packs a lot of power into less than 150 pages, a deeply pessimistic analysis of humanity’s relation to technology.
The legendary 1978 samizdat recording of Audience, starring Václav Havel (1936-2011) as Vanek and Pavel Landovský as Sládek.
I read Adorno’s Minima Moralia: Reflections on a Damaged Life much more recently, and it is rare a day goes by that I don’t dip into the copy I keep on my desk.