Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Susan Sontag’s dazzling essay, Against Interpretation [PDF]

Susan Sontag’s Notes on “Camp” [PDF]

Brian Dillon - Le Goût des Autres: Laughter, Tears and Rage -  “Since the 17th century, taste has been integral to the discourse surrounding aesthetics, class, culture, gender and sexuality. Has it become an anachronism?”

From Was Jack Kerouac a Punjabi? – Survivability, Vulnerability, Affect

Nietzsche’s library [PDF]: “traces not only the books which Nietzsche read throughout his life, but also lectures he attended as well as professorial work he was engaged in, the music he listened to and composed, and, finally, denotes when and where he wrote his philosophical works. Its primary concern though is with the books Nietzsche was reading; the most abundant references are to those books.”

Friedrich Nietzsche’s The Birth of Tragedy: Out of the Spirit of Music (translated by Ian Johnston) [PDF]

Joan Didion interviewed by Sheila Heti. “With writing, I don’t think it’s performing a character, really, if the character you’re performing is yourself. I don’t see that as playing a role. It’s just appearing in public.”

Albert Camus’s The Stranger (translated by Stuart Gilbert) [PDF]

From Larval Subjects blog, How to Make a Blog

Terry Eagleton’s essay, Capitalism, Modernism and Postmodernism [PDF]

An old favourite essay: Sven Birket’s Reading in a Digital Age “Notes on why the novel and the Internet are opposites, and why the latter both undermines the former and makes it more necessary.”

Ford Madox Ford’s The Good Soldier [PDF]

The (Fractious) Kinship Between the Human and the Nonhuman

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Thirty Pieces of Silver (1988-9) – Cornelia Parker

Vital materiality better captures an “alien” quality of our own flesh, and in so doing reminds humans of the very radical character of the (fractious) kinship between the human and the nonhuman. My flesh is populated and constituted by different swarms of foreigners. The crook of my elbow, for example, is a “special ecosystem, a bountiful home to no fewer than six tribes of bacteria. . . .They are helping to moisturise the skin by processing the raw fats it produces. . . .The bacteria in the human microbiome collectively possess at least 100 times as many genes as the mere 20,000 or so in the human genome.” The its outnumber the mes. In a world of vibratory matter, it is thus not enough to say that we are “embodied.” We are, rather, an array of bodies, many different kinds of them nested in a set of microbiomes. If more people marked this fact more of the time, if we were more attentive to the indispensable foreignness that we are, would we continue to produce and consume in the same violently reckless ways.

Jane Bennett
Vibrant Matter

A World of Lively Matter

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Cold Dark Matter: An Exploded View (1991) – Cornelia Parker

A second advantage hinges on the inflection of matter as vibrant, vital, energetic, lively, quivering, vibratory, evanescent, and efflorescent (to recall some modifiers I have used throughout the book). In a world of lively matter, we see that biochemical and biochemical-social systems can sometimes unexpectedly bifurcate or choose developmental paths that could not have been foreseen, for they are governed by an emergent rather than a linear or deterministic causality. And once we see this, we will need an alternative to the idea of nature as blind mechanism. A vital materialism interrupts both the teleological organisms of some ecologists and the machine image of nature governing many of their opponents.

Jane Bennett
Vibrant Matter

Not Knowing How to Look

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Bourdieu’s judgement, and that of all those who denounce the aesthetic illusion, rests on a simple alternative: you know or you do not [on connaît ou on méconnaît]. If you do not know [méconnaît], it is because you do not know [sait] how to look or you cannot look. But to not be able to look is still a way of not knowing how to look. Whether philosopher or petit-bourgeois, those who deny this, those who believe in the disinterested character of aesthetic judgement do not want to see because they cannot see, because the place that they occupy in the determined system, for them as for everyone else, constitutes a mode of accommodation which determines a form of misrecognition [méconnaissance].

Rancière, Jacques and Jon Roffe (Translator). “Thinking between disciplines: an aesthetics of knowledge.” in: Parrhesia. Vol. 1, 2006. (English).

I am a Material Configuration

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Neither From Nor Towards (1992) - Cornelia Parker

Neither From Nor Towards (1992) – Cornelia Parker

I am a material configuration, the pigeons in the park are material compositions, the viruses, parasites, and heavy metals in my flesh and in pigeon flesh are materialities, as are neurochemicals, hurricane winds, E. coli, and the dust on the floor. Materiality is a rubric that tends to horizontalize the relations between humans, biota, and abiota. It draws human attention sideways, away from an ontologically ranked Great Chain of Being and toward a greater appreciation of the complex entanglements of humans and nonhumans. Here. the implicit moral imperative of Western thought -”Thou shall identify and defend what is special about Man”-loses some of its salience

Jane Bennett
Vibrant Matter

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Bridget Riley in her Studio, 1960's

Bridget Riley in her Studio, 1960′s

Dodie Bellamy’s passionate, polemical Barf Manifesto is one of the most intriguing texts I’ve read this year. Spew Forth [PDF] is a good taster of her aesthetic.

Seamus Heaney’s The Art of Poetry interview. “I mean, who wouldn’t like to write Mozartian poetry?”

“Man is free; but he finds his law in his very freedom.” Any long time reader of this blog knows I’m very interested in the work, thought and person of Simone de Beauvoir. The Ethics of Ambiguity was, in part, her response to Sartre’s Being and Nothingness.

Franz Kafka’s Complete Short Stories [PDF]: if I were allowed to keep only a single book it would be this one. I could read these stories alone for the rest of my life and never tire of them.

Franz Kafka’s The Trial [PDF]: a more modern translation of The Trial.

David Winter’s superb review of Christine Schutt’s Prosperous Friends, “proves Schutt to be of the finest stylists alive”.

“What can we say we really understand about our personal experience with colour?” Bridget Riley’s Introduction to Colour: Art and Science [PDF] addresses colour in art.

Pierre Bourdieu’s The Rules of Art: Genesis and Structure of the Literary Field. [PDF]

JG Ballard’s The Complete Short Stories [PDF]: though I agree with Germaine Greer’s comment that Ballard is “a great writer who hasn’t written a great novel,” I enjoy reading his short stories and longer pieces. It is his autobiographical books that get closest to greatness.

Ray Brassier’s dense but tantalising Nihil Unbound: Enlightenment and Extinction [PDF].

Michel Houellebecq’s The Art of Fiction interview. “Iggy Pop wrote some songs based on my novel The Possibility of an Island.”

Luce Irigaray’s brilliant This Sex Which is Not One [PDF], in which she argues that our society is predicated on the exchange of women.

Pierre Bourdieu’s essay on The Forms of Capital [PDF] outlines the distinctions between economic, social and cultural capital.

Mahmoud Darwish’s breathtakingly beautiful poem Tuesday And The Weather Is Clear [PDF].

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

'The Reader' - G. Richter

‘The Reader’ – G. Richter

Dr. B or : How I learned to stop worrying and love cinema post: The Gaze and its psychoanalytical implications in Richter, Graham and Beckett’s art.

Faust Series Opus 9 post: 13 Tips for a Writing Friend (After Benjamin, Baudelaire etc.)

Judith Butler’s Undoing Gender (2004) [Full- PDF] -”recent reflections on gender and sexuality, focusing on new kinship, psychoanalysis and the incest taboo, transgender, intersex, diagnostic categories, social violence, and the tasks of social transformation.”

This is treasure for me, discovering a trove of Guy Debord’s letters. ”Although I have read a lot, I have drunk even more.”

Bookslut reviews Viktor Shklovsky’s A Hunt for Optimism:

It lacks so much that readers generally gravitate to that even Shklovsky’s clinical prose can seem like an obstruction. But those that can tolerate the writer’s embracing of polyphony and multiplicity will undoubtedly see that there is a very serious mind at work.

These three interpretations of Charles Bukowski’s Melancholy are intriguing. My preference is for the first performance.

Salon’s review of James Wood’s The Fun Stuff. Enjoyed the review though I’ve no urge, presently, to buy the book despite enjoying much of Wood’s writing.

Full Stop’s review of Suzanne Scanlon’s Promising Young Women, which I expect to read some day:

This is the brilliance of Suzanne Scanlon’s debut: by casting Lizzie as a self-aware cipher in conflict with the critical reader, Scanlon refuses the same act of diagnosis that her novel critiques.

A collection of films inspired by Angela Carter, exploring the gothic, mysterious and magical themes of her work.

Three-part documentary about Pramoedya Ananta Toer, Indonesian writer of the staggeringly good The Buru Quartet.

Green and yellow: the colours of Brazilian Modernism.

Twenty years on, Elaine Showalter’s revised introduction to A Literature of Their Own. [PDF]

Leszek Kolakowski’s The Death of Utopia Revisited (1982).[PDF]

JM Coetzee on the novels of Saul Bellow.

Women on the market by Luce Irigaray (“applies Marx’s analysis of the commodity to the status of women – objects circulated by men to reproduce a male-dominated society.”)

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Boyd Tonkin Indy piece: Curator of miracles in Milan: How Roberto Calasso mastered the art of publishing.

Whatever his blind spots about soulful crooners of the Sixties, how many other free-range intellectuals can match Calasso for the breadth of his erudition and his boldness in bringing it to new audiences? In Britain, George Steiner; in this city of Milan, Umberto Eco. Arguably, with his immersion in Indian as well as European art and belief, Calasso spans more ground than either. Remarkably, he has also spent half a century not in academe but as a busy publisher.

The Lost Pasolini Interview.

Fascinating interview with Djibril Diop Mamberty, “The most paradoxical filmmaker in the history of African cinema.”

A Cixous Tribute: “Hélène’s metaphor of the reader setting light to her words all over again.”

The Reception of Clarice Lispector via Hélène Cixous: Reading from the Whale’s Belly.

An introduction to Speculative RealismSeminar with Robin Mackay on Vimeo.

“Nothing will have taken place…”: Meillassoux and the Repetition of Failure.

Conceptual writing and Notes on Conceptualisms by Vanessa Place and Robert Fitterman.

How to Read Lacan‘ by Slavoj Žižek (‘the return to Freud’).

Full text of Hélène Cixous’ brilliant The Laugh of the Medusa.

Larval Subjects’ post: Intellectual Love of God and Commodity Fetishism.

Debating Lenin and Philosophy -
Q and A after Louis Althusser’s presentation of his important 1968 lecture Lenin and Philosophy.

A short account of obsessional neurosis in Freud/Lacan (inc. the ‘Rat Man’ case).

“I read out of obsession with writing.” Cynthia Ozick’s Paris Review interview.

Surrealism and Automatic Writing: The politics of destroying language.

Salman Rushdie’s (1992) tribute to Angela Carter: Angela Carter, 1940-92: A Very Good Wizard, a Very Dear Friend.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

From the Gallery of Lost Art, Lucian Freud's painting (stolen) of Francis Bacon.

From the Gallery of Lost Art, Lucian Freud’s painting (stolen) of Francis Bacon.

The Tate’s Lost Art Blog.

The Society of Authors list 50 outstanding translations from the last 50 years.

Marjorie Perloff’s essay Hugh Kenner and the Invention of Modernism.

In this scheme of things, Kenner’s bête noire was, not surprisingly, Bloomsbury. For him, the Bloomsburies were not Modernists but late or post-Victorians whose innovations—including the rejection of conventional plot and characterization—masked perfectly traditional English values.

A Guardian guide to Arvo Pärt’s (one of my favourite composers) music.

From Love Dog, Masha Tupitsyn’s superb film blog: Faces #3 (Charlotte Rampling). “Charlotte Rampling’s face did not express or show anything until it had lived through at least 50 years”.

Courtesy of Biblioklept, Guide for New Readers of Stendhal’s Charterhouse by Italo Calvino (Collected in Why Read the Classics?).

Brief reviews of Chantal Akerman’s films.

AV Club interview with Chantal Akerman.

Spectacularly intimate: a MUBI Notebook interview with Claire Denis.

From the Bookslut archives: A Soul Turned Inside Out: Clarice Lispector, Hélène Cixous, and L’Écriture Féminine.

Adam Palay: An Interview with Richard Powers.



A Garland of Plagiarism.

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The entire history of literature-a secret history that no one will ever be able to write except in part, because authors are too skilful at obscuring themselves-can be seen as a sinuous garland of plagiarism. By this I do not mean functional plagiarism, due to haste and laziness, such as Stendhal’s plundering of Lanzi; but the other kind, based on admiration and as a process of physiological assimilation that is one of the best protected mysteries of literature.

Roberto Calasso
La Folie Baudelaire