Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Naked Lunch Screenshot

Naked Lunch Screenshot

William Burrough’s seminal Naked Lunch [PDF], a great book to dip into, to read in any order. Great stuff, as is Cronenberg’s film interpretation.

I’ve read Rilke since adolescence and, in a sense, cannot imagine how differently I would view art and beauty without his influence. The ten letters in Letters to a Young Poet [PDF] have enriched me immeasurably since first reading the lines, “Nobody can advise you and help you, nobody. There is only one way. Go into yourself.”

In The Animal That Therefore I Am (More to Follow) [PDF] Derrida looks at the animal in Western Culture.

Derrida’s Writing and Difference [PDF] collects many of his early essays and lectures. Derrida’s writing at this stage is vibrant and, by Derridean standards, approachable. Included in this book is Cogito and the History of Madness, in which Derrida notably takes on Foucault’s concept of madness.

In this last Derrida link {PDF], he interviews jazz saxophonist/composer Ornette Coleman, revealing on both sides.

Deborah Parsons’ Theorist of the Modernist Novel [PDF] traces modernism through the texts of James Joyce, Dorothy Richardson and Virginia Woolf.

Maurice Blanchot’s short, dreamlike novel, The Last Man [PDF].

William Gass’s short essay on language in fiction, The Medium of Fiction [PDF].

everything lost is a curiosity, an obscure, early notebook written by William Burroughs in Latin America during 1953, provided in handwritten and transcribed form.

Sometimes I think that Vladimir Nabokov’s lectures are better than his fiction. Lectures on Russian Literature [PDF] is brilliant. You won’t agree with Nabby on everything but you can’t fail to be stimulated by his arguments.

A brief, worthwhile essay on trauma narratives: Mending to Live: Memory, Trauma and Narration in The Writings Of Kazuo Ishiguro, Herta Müller and W. G. Sebald [PDF].

Raoul Vanigem’s The Revolution of Everyday Life is a key text of the Situationists, covering broadly similar ground as Adorno, the ways that late capitalist society can pervert communication and depersonalise “subjects”.

Catholicism, Freedom and Patti Smith

I’m possibly the only person to perform a Roman Catholic for greater freedom. Brought up in south east Asia, my only religious encounters, before going to an English boarding school, were the local muezzin’s call to prayer. Religious attendance at my boarding school’s sixteenth century chapel was compulsory. It quickly became clear that Christianity had little to offer me. At the time I had an interest in mysticism, which would intensify over the following twenty years, but Christianity appeared rather constrained by conventional banality. As we shuffled off to chapel each Sunday my curiosity was aroused by three boys that left the school grounds, unaccompanied. Investigation revealed these boys to be Roman Catholics. The school had no Roman Catholic housemaster so these boys walked to mass at the nearby Catholic church. I sensed a way to evade the crushing boredom I felt at sitting for almost two hours in chapel.

At the age of eleven boys transferred from the preparatory school to upper school. At the first day in my new boarding house, I nervously informed the house master that I was a Roman Catholic. “There are two of you,” he said, “so P_ and you will go with each other on Sunday.” We attended mass once, that first weekend, mostly to check that there wasn’t some form of roll call. Thereafter we’d sit in the adjacent cemetery for an hour and a half each Sunday, eating sweets and conversing about our mutual love: music. A year later our routine changed and, for a while, we’d go to the house of an older school friend, a day boy, and listen to his Patti Smith record.

In this way Roman Catholicism not only provided freedom from the stifling monotony of an Anglican church service, but also lead me to Patti Smith’s anarchic album, Horses, which, in turn, lead me to punk rock.

Don’t you love Robert Mapplethorpe’s photograph of Patti Smith?

Portrait of Ella Fitzgerald, Dizzy Gillespie

Tremendous photograph of Ella Fitzgerald and Dizzy Gillespie, from the Library of Congress’s flickr collection:

Portrait of Ella Fitzgerald, Dizzy Gillespie, Ray Brown, Milt (Milton) Jackson, and Timmie Rosenkrantz, Downbeat, New York, N.Y., ca. Sept. 1947

Portrait of Ella Fitzgerald, Dizzy Gillespie, Ray Brown, Milt (Milton) Jackson, and Timmie Rosenkrantz, Downbeat, New York, N.Y., ca. Sept. 1947

Caption from Down Beat: An impressive photo of a truly impressive singer Ella Fitzgerald at the Downbeat, with Dizzy Gillespie making like a faun in the background. Dizzy has gone on his own way, while Ella is still keeping the club on the beat.

 

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Boyd Tonkin Indy piece: Curator of miracles in Milan: How Roberto Calasso mastered the art of publishing.

Whatever his blind spots about soulful crooners of the Sixties, how many other free-range intellectuals can match Calasso for the breadth of his erudition and his boldness in bringing it to new audiences? In Britain, George Steiner; in this city of Milan, Umberto Eco. Arguably, with his immersion in Indian as well as European art and belief, Calasso spans more ground than either. Remarkably, he has also spent half a century not in academe but as a busy publisher.

The Lost Pasolini Interview.

Fascinating interview with Djibril Diop Mamberty, “The most paradoxical filmmaker in the history of African cinema.”

A Cixous Tribute: “Hélène’s metaphor of the reader setting light to her words all over again.”

The Reception of Clarice Lispector via Hélène Cixous: Reading from the Whale’s Belly.

An introduction to Speculative RealismSeminar with Robin Mackay on Vimeo.

“Nothing will have taken place…”: Meillassoux and the Repetition of Failure.

Conceptual writing and Notes on Conceptualisms by Vanessa Place and Robert Fitterman.

How to Read Lacan‘ by Slavoj Žižek (‘the return to Freud’).

Full text of Hélène Cixous’ brilliant The Laugh of the Medusa.

Larval Subjects’ post: Intellectual Love of God and Commodity Fetishism.

Debating Lenin and Philosophy -
Q and A after Louis Althusser’s presentation of his important 1968 lecture Lenin and Philosophy.

A short account of obsessional neurosis in Freud/Lacan (inc. the ‘Rat Man’ case).

“I read out of obsession with writing.” Cynthia Ozick’s Paris Review interview.

Surrealism and Automatic Writing: The politics of destroying language.

Salman Rushdie’s (1992) tribute to Angela Carter: Angela Carter, 1940-92: A Very Good Wizard, a Very Dear Friend.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

From the Gallery of Lost Art, Lucian Freud's painting (stolen) of Francis Bacon.

From the Gallery of Lost Art, Lucian Freud’s painting (stolen) of Francis Bacon.

The Tate’s Lost Art Blog.

The Society of Authors list 50 outstanding translations from the last 50 years.

Marjorie Perloff’s essay Hugh Kenner and the Invention of Modernism.

In this scheme of things, Kenner’s bête noire was, not surprisingly, Bloomsbury. For him, the Bloomsburies were not Modernists but late or post-Victorians whose innovations—including the rejection of conventional plot and characterization—masked perfectly traditional English values.

A Guardian guide to Arvo Pärt’s (one of my favourite composers) music.

From Love Dog, Masha Tupitsyn’s superb film blog: Faces #3 (Charlotte Rampling). “Charlotte Rampling’s face did not express or show anything until it had lived through at least 50 years”.

Courtesy of Biblioklept, Guide for New Readers of Stendhal’s Charterhouse by Italo Calvino (Collected in Why Read the Classics?).

Brief reviews of Chantal Akerman’s films.

AV Club interview with Chantal Akerman.

Spectacularly intimate: a MUBI Notebook interview with Claire Denis.

From the Bookslut archives: A Soul Turned Inside Out: Clarice Lispector, Hélène Cixous, and L’Écriture Féminine.

Adam Palay: An Interview with Richard Powers.



Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Still not available on Lovefilm, but I am so very eager to watch Tom and Viv, which highly questionably “pins the Eliots’ train wreck of a marriage almost entirely on Viv’s hormones and drug use”.

Spotlight on Jane Bowles’ Plain Pleasures (1966): outstanding post on writer Dennis Cooper’s blog – “her small oeuvre is distinguished by its quality and innovation.”

Yet another wonderful Paris Review interview, this time with Egyptian writer Naguib Mahfouz.

Close-Up on Eric Rohmer’s The Green Ray: An interview with French actress and filmmaker Marie Rivière.

The Most Beautiful Perhaps - review of Quentin Meillassoux’s The Number and the Siren: A Decipherment of Mallarmé’s Coup De Dés.

From Monoskop, a download of Sherry Turkle’s highly absorbing Evocative Objects: Things We Think With, an old favourite.

From Michelle, one of my favourite reviewers, a review of Doris Lessing’s The Fifth Child.

A wonderful, informative post about American poet Tina Darragh.

I’m looking forward to Simon Critchley’s new book, co-authored with his wife, the psychoanalyst Jamieson Webster, The Hamlet Doctrine. This brilliant interview from The White Review discusses The Tragic and its Limits.

From HTMLGiant, Pier Paolo Pasolini’s great essay on the long take.

Katie Roiphe’s column on Ian McEwan is arguably better than reading her subject’s novels. “Want To Understand Sexual Politics? Read This Novel. Ian McEwan’s Sweet Tooth reveals the deepest ways in which men misunderstand women.”

Open Culture offers up Nirvana’s Home Videos: An Intimate Look at the Band’s Life Away From the Spotlight.

Richard Kovitch’s review of Extreme Metaphors – Interviews with J.G Ballard 1967 – 2008. Richard quotes Germaine Greer’s so very accurate pronouncement that, “JG Ballard is a great writer who has never written a great novel.”

How about going on a chronological journey through every Woody Allen film?

A short story: The Confessions of Helen Westley by Djuna Barnes.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

The term ‘mansplaining’ is genius and deserves to be listed in the OED. This is where I first came across the term.

Julia Kristeva’s Powers of Horror, Essay on Abjection.

Martha Nussbaum – How to write about poverty.

The Myth of Matriarchy: Why Men Rule in Primitive Society by Joan Bamberger.

Politics and the English Language an essay by George Orwell.

Charles Bukowski’s so you want to be a writer.

The David Lynch mixtape.

Franz Kafka: The Meaning of Life is that it Stops.

Andrei Tarkovsky’s Stalker and the surprising physical reality of this world as he sees it.

The ideal way to read Marx’s Kapital is with David Harvey.

One of my favourite Desert Island Discs with writer Al Alvarez (friend of Plath and Hughes).

On Fear – a wonderful essay by Mary Ruefle (the distinction between emotion and feeling is perfect)

Julia Kristeva’s essay – A Freudian Approach: The Pre-religious Need To Believe.

Adam Kirsch on The New World of William Carlos Williams.

Italo Calvino’s 14 Definitions of What Makes a Classic.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

British artist Tacita Dean’s giant Turbine Hall installation at London’s Tate Modern, created using 35mm film, is a love letter to a disappearing medium. She explains how she hopes to create something magical and spectacular to carry her message: film is beautiful – let’s keep it.

Jeffrey Eugenides interviews Tacita Dean: “I think that being very open to coincidences, they happen more.”

Sonic Youth live recordings archive (in FLAC).

Noam Chomsky’s Manufacturing Consent (1/17) is ESSENTIAL viewing (You already know this, but just in case…).

Simone de Beauvoir’s Paris Review interview. “The paradox of human life is precisely that one tries to be and, in the long run, merely exists.”

Full text of Polyani’s The Great Transformation. Romantic but robust on free market damage to communities.

A Short History of Neoliberalism (And How We Can Fix It), based on David Harvey’s prescient 2005 book.

“I passed this over several times before actually watching. I’m glad I did because it’s quite charming, and if you haven’t seen it, you’ll love it. 12 year old Jeremiah McDonald from 1992 interviews 32 year old Jeremiah McDonald.”

What is tasteful? Introduction to Pierre Bourdieu’s seminal work on aesthetics and taste. [PDF]

Michael Hardt’s ‘For Love or Money’. [Full lecture]

Judith Butler talks about Walter Benjamin’s notion of the gesture in Franz Kafka’s parables.

Interview with Domenico Losurdo on Liberalism: A Counter-History.

Against Nostalgia: Esther Tusquets and the Remembering of the Gauche Divine.

Selection of Pieter Hugo’s breathtaking photographs, that I discovered in the ‘Hyena Men’ series.

Jane Bennett: Vibrant Matter: A Political Ecology of Things | Territorial Masquerades.

Links of the Week

Welcome to a new regular post featuring links to subjects I find interesting. Many of these have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Issue 4 of The White Review introduced me to the work of Brian Dillon. After reading about his books I bought Sanctuary from Sternberg PressI’ve picked it up a couple of times but its dense, small text has so far deterred me from reading further.

Brian Dillon’s compelling review of Ben Marcus’s The Flame Alphabet, another book I’ve bought but have yet to read beyond an initial once over.

What looks like the whole of Witold Gombrowicz’s A Guide to Philosophy in Six Hours and Fifteen Minutes. These seem to be notes for a lecture, written in shorthand, and only of scanning interest unless you’ve a deep grounding in philosophy.

What is realism? A riff on a theme referring to one of my favourite writers, JM Coetzee, and some recurring idées fixes.

Strangely beautiful, and poetic: the first thousand numbers classified in alphabetical order. [PDF]

Interview with Belgian-born Jean-Philippe Toussaint.

Katie Paterson’s sound recordings from three glaciers in Iceland.

literalab post: Two restored masterpieces of Wojciech Has, including an adaptation of Bruno Schulz’s Sanatorium Under the Sign of the Hourglass.

Lapham’s Quarterly post about thesauri or, if that is an archaism, thesauruses.

The Mookse and the Gripes interview with Margaret B. Carson, translator of Sergio Chejfec’s My Two Worlds.

The Believer interview with Richard Powers, an oddly underrated writer. I’ve read all but his latest novel and enjoy his work immensely.

biblioklept post: Tolstoy’s dismissal of Shakespeare and Orwell’s rebuttal to Tolstoy.

Idées Fixes of the Week

John Kay: Ralph Rylance (1813)

The British Library has today published a new edition of the 1815 Epicure’s Almanack, the first ever ‘good food guide’ to London. Listing some 650 eating houses, taverns, coffee houses, and inns, the original Almanack was the work of Ralph Rylance, an aspiring poet and dramatist. This new edition, edited by Janet Ing Freeman, presents his original text together with commentary on many of the establishments and on the wider subject of eating and drinking in London at the beginning of the nineteenth century.

Fewer than 30 copies of the original book are recorded in libraries today. It was never continued nor reprinted, and lack of public enthusiasm for the guide meant that several hundred unsold copies were destroyed two years after publication. Nonetheless, scholars continue to refer to it for descriptions such as that of London’s first Indian restaurant, the Hindostanee Coffee House in Marylebone, where all the dishes were ‘dressed with curry-powder and the best spices of Arabia’, and a room was set apart for ‘smoking from hookahs with oriental herbs’.

Rylance reviewed the eateries and their menus single-handedly and on foot. His book provides an excellent contemporary view of an important aspect of Regency London life, and gives a glimpse of a bygone city, in which the oysterman at the Cock Tavern in Fleet Street busily opens shells ‘with the dexterity of a squirrel’ and more elegant eating houses display their wares in the window, including the ‘fine, lively, amiable turtle’ shortly to appear on the menu.

*****

The Munch exhibition is exemplary, breathtaking.

*****

Not that I’m saying anything
Richard Price

Not that I’m saying anything
at least, I’m more speaking just to be hearing, answering
to ask if reply-to-reply just might (not knowing)
perpetuate this pulse-on-pulse to-ing and fro-ing,
as if here, in your here-and-now, is best brimmingness,
breathless, beyond fondness, found.

Hard dream, extreme astound!
Death the sky, death the ground. Yet,
we’re coming around.
We’ve been laughed alive,
paired-up – for the dive – bound -
to the vast unbound.

Let’s swim – in liquid sound, luxuriate
in while, in whim in … flirt and secret flout,
It’s not too late. Let doubts leave. For trying out loud
lets improvise our intimate lives, perfect … an intricate duet.
Let’s retrieve, in the whelm, in the depth,
kindness of touch – and, say, say this much:
we’ll plan to play, to enjoy, stronger than belief, full sweet
‘nothing’ – if such pleasure (a kiss the gentlest of decrees)
elicits your delicate, illicit, please.

*****

Bach’s Six Suites for Unaccompanied Cello are old friends and cello is the instrument closest to my heart. Pablo Casals is long my preferred cellist but Mischa Maisky could easily challenge that preference.

*****

I’m so restless, unable to settle on a book, switching between Deleuze and Miéville, old copies of the TLS, the latest White Review and that rathole, Twitter.