Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Ibsen’s A Doll’s House, film for the modern world: http://bit.ly/PcTXpZ

From Kafka to Sebald – essays on narrative form in modernist fiction: http://t.co/jJTPALWh

Maurice Blanchot and Fragmentary Writing by Leslie Hill – Preview: http://t.co/Qdjli4NO

Judith Butler – On Never Having Learned How to Live: http://bit.ly/VhrwJP

“Deleuze always insists on grasping the virtual , as it were ‘behind’ the actual.” http://bit.ly/Rd93b9

The HTMLGiant Beginner’s Guide to Deleuze: http://bit.ly/PgNudD

Frederic Jameson on Realism and Utopia in The Wire: http://awe.sm/n71Th

Fascinating piece on memory by Jenny Diski: http://awe.sm/o71JJ

Glenn Gould Explains the Genius of Johann Sebastian Bach: http://bit.ly/PEToVK

Roberto Calasso interviewed by Lila Azam Zanganeh: http://www.theparisreview.org/interviews/6168/the-art-of-fiction-no-217-roberto-calasso

“Books are sublimely visceral, emotionally evocative objects that constitute a perfect delivery system.” http://online.wsj.com/article/SB10000872396390444868204578064483923017090.html

Remarkable colour photos from inside Nazi-occupied Poland, 1939-1940: http://t.co/n4R1Tjdy

God’s Angry Man — Werner Herzog (Full Documentary):http://bit.ly/RdqkB5

Aldous Huxley’s Most Beautiful, LSD-Assisted Death: A Letter from His Widow: http://bit.ly/PDZdTc

The story behind Joy Division’s Unknown Pleasures album cover: http://thecreatorsproject.com/blog/the-story-behind-joy-divisions-iconic-iunknown-pleasuresi-album-cover

Sacred Cows, Tinctures, Zombies and Chomsky

From reading a compelling review in TLS’s In Brief to tucking into Mark Dery’s I Must Not Think Bad Thoughts was an interval of three days. I’m one foreword, an introduction and a single essay in, and I’ve got that familiar, but rare, tingle. I know IMNTBT and me are going to pleasurably commingle.

Bruce Sterling’s foreword intrigues but Dery’s introduction promises thrills ahead.

The ethos of Thinking Bad Thoughts isn’t synonymous with the wilful perversity of Christopher Hitchens’s contrarianism, or with H. L. Mencken’s lifelong devotion to spit-roasting the sacred cows of the booboisie, or with the nothing-is-true, everything-is-permitted libertinism of William S. Burroughs, or with the liberators cynicism of punk rockers like X, or with Orwell’s ability to confront hard truths without flinching. Yet it contains a tincture of each.

Dery’s introduction is a manifesto for this intellectual onslaught on the ‘friendly fascisms of right and left’ and an outright refusal to ‘recognise intellectual no-fly zones’, inspires.

His first essay Dead Man Walking contrasts the reanimating of the zombie myth in contemporary literature and film to its previous incarnation in the 70s and 80s.

In the postwar decades, as suburban sprawl and mall culture metastasized across America, Hollywood cast the zombie as the decaying face of popular ambivalence toward amok consumerism. Implacable consumption machines, the mall-crawling dead of Georg Romero’s Dawn of the Dead (1978) liberalised the infantile psychology of consumer culture, with its oral fixation, insistence on instant gratification, and I-shop-therfore-I-am sense of self-worth, indexed to how pricey your status totems are-the sheer bodaciousness of your insatiable orality implied by market capitalism’s redefinition of citizens as consumers-”wallets with mouths”, in the cynical parlance of Madison Avenue is instructive.

Now that the econopocalypse has thrown millions out of work,triggered an upspike in homelessness, and eaten the braaains of consumer confidence, the zombie has undergone a role reversal, incarnating American fears that the republic is a shambling shadow of its former glory, Left 4 Dead by the near meltdown of the financial system. Zombies are the Resident Evil of an economy whose moribund state confronts us everywhere we look in a landscape littered with dead males, “ghost boxes” (dark, shuttered big-box outlets), and “zombie stores”-retailers forced by dismal sales to reduce their inventory to its bare bones, with the ironic consequence that their emaciated stock and empty floor space scare consumers away, accelerating their death spiral.

Is that enough to tempt you to dive in and read along? I could just have quoted Dery’s listing of “Noam Chomsky’s Top 10 List of Things You Can’t Say on Nightline: “The biggest international terror operations that are known are the ones that are run out of Washington; if the Nuremberg laws were applied then every postwar American president would have been hanged; the Bible is one of the most genocidal books in the total canon; education is a system of imposed ignorance…” but that would be too easy, and I assume you’ve all seen Manufacturing Consent.