Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Gerhard Richter - 'The Reader.'

Gerhard Richter – ‘The Reader.’

Gerhard Richter is the top-selling living artist. This thrilling lecture/essay [PDF] takes two of Richter’s paintings (including The Reader) and examines them using as a framework Heidegger’s thesis that art should be understood as a discovery and disclosure of truth. “Things, scenes and persons depicted do not act for the spectator; rather, they act as if the spectator is not present.”

Chris Kraus’s intelligent, controversial I Love Dick narrates an infatuation with a fictional media theorist based, allegedly, on Dick Hebdige, whose 1979 Subculture: The Meaning of Style , [PDF]influenced by Julia Kristeva’s work, provides a semiotic reading of punk.

Reading Jacques Lacan can be worthwhile but hard work. This guide to Lacan is very useful, as is this Cambridge Companion [PDF] (Alenka Zupančič’s essay is particularly good).

In The Art of Fiction Henry James provides a practical, radical definition of the novel, arguing that the craft of writing cannot be taught and pouncing on the failings of philistine readers. Surprisingly relevant and amusing to read.

Do you know Borges’s short story, Of Exactitude in Science? It is a favourite, and short enough to quote:

In that Empire, the craft of Cartography attained such Perfection that the Map of a Single province covered the space of an entire City, and the Map of the Empire itself an entire Province. In the course of Time, these Extensive maps were found somehow wanting, and so the College of Cartographers evolved a Map of the Empire that was of the same Scale as the Empire and that coincided with it point for point. Less attentive to the Study of Cartography, succeeding Generations came to judge a map of such Magnitude cumbersome, and, not without Irreverence, they abandoned it to the Rigours of sun and Rain. In the western Deserts, tattered Fragments of the Map are still to be found, Sheltering an occasional Beast or beggar; in the whole Nation, no other relic is left of the Discipline of Geography.

I mention Borges’s story because I am always reminded of it by Jean Baudrillard’s Simulcra and Simulation [PDF] in which he argues that our models and maps have distanced us from the real world that preceded the models and maps:

It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that offers all the signs of the real and short-circuits all its vicissitudes.

Paul Virilio’s The Information Bomb [PDF] packs a lot of power into less than 150 pages, a deeply pessimistic analysis of humanity’s relation to technology.


The legendary 1978 samizdat recording of Audience, starring Václav Havel (1936-2011) as Vanek and Pavel Landovský as Sládek.

The only way I can take Georges Bataille’s work seriously is to read it ironically. Like Björk, I read his Story of the Eye [PDF] when I was 17 years old.

I read Adorno’s Minima Moralia: Reflections on a Damaged Life much more recently, and it is rare a day goes by that I don’t dip into the copy I keep on my desk.

The Erotic Dimension of Pedagogy

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As Bertram has shown in some splendid pages, we encounter the tradition of Socratic Eros and the educative daimon in Nietzsche. According to Bertram, the sayings sum up perfectly this erotic dimension of pedagogy. One is Nietzsche himself: “The deepest insights spring from love alone.” Another is by Goethe: “We learn only from those we love.” Finally, there is Hölderlin’s dictum: “Mortal man gives his best when he loves.” These three maxims go to show that it is only through reciprocal love that we can accede to genuine consciousness.

Pierre Hadot
The Figure of Socrates
Philosophy as a way of life

This Year’s Idées Fixes

My reading orbits an accretion of preoccupations. So far, this year’s idées fixes are the influence of the East on Greco-Roman thought (and by extension, modern thought), Epicureanism, the neo-vitalist/transcendental materialist movement in contemporary philosophy, and asceticism. It may be that the interrelation between these themes are personal, but they appear deeply connected.

Following a question on Twitter I thought I’d compile a list of some of the texts that I’ve recently read and that I’ll be reading over the next few months. Please feel free to make further suggestions of titles that speak urgently to these concerns. These are all complementary to the Urtexts  of Epicurus, Lucretius, and Diogenes Laertius, and to this superb companion.

  • Jane Bennett – Vibrant Matter: a political ecology of things [PDF]
  • Pierre Hadot – Philosophy as a way of life
  • Jane Bennett - The Enchantment of Modern Life
  • Pierre Hadot – The Present Alone is Our Happiness
  • Alexander Nehamas – The Art of Living
  • David Jasper – The Sacred Desert
  • Pierre Hadot – The Veil of Isis
  • Randall Collins – The Sociology of Philosophers
  • David Jasper – The Sacred Body
  • Pierre Hadot – What is Ancient Philosophy?

“Unclassfiable”

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By the time of the Platonic dialogues Socrates was called atopos, that is, “unclassifiable.” What makes him atopos is precisely the fact that he is a “philo-sopher” in the etymological sense of the word; that is, he is in love with wisdom. For wisdom, says Diotima in Plato’s Symposium, is not a human state, it is a state of perfection of being and knowledges that can only be divine. It is the love of wisdom, which is foreign to the world, that makes the philosopher a stranger in it.

Pierre Hadot
Forms of Life and Forms of Discourse
Philosophy as a way of life

The (Fractious) Kinship Between the Human and the Nonhuman

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Thirty Pieces of Silver (1988-9) – Cornelia Parker

Vital materiality better captures an “alien” quality of our own flesh, and in so doing reminds humans of the very radical character of the (fractious) kinship between the human and the nonhuman. My flesh is populated and constituted by different swarms of foreigners. The crook of my elbow, for example, is a “special ecosystem, a bountiful home to no fewer than six tribes of bacteria. . . .They are helping to moisturise the skin by processing the raw fats it produces. . . .The bacteria in the human microbiome collectively possess at least 100 times as many genes as the mere 20,000 or so in the human genome.” The its outnumber the mes. In a world of vibratory matter, it is thus not enough to say that we are “embodied.” We are, rather, an array of bodies, many different kinds of them nested in a set of microbiomes. If more people marked this fact more of the time, if we were more attentive to the indispensable foreignness that we are, would we continue to produce and consume in the same violently reckless ways.

Jane Bennett
Vibrant Matter

A World of Lively Matter

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Cold Dark Matter: An Exploded View (1991) – Cornelia Parker

A second advantage hinges on the inflection of matter as vibrant, vital, energetic, lively, quivering, vibratory, evanescent, and efflorescent (to recall some modifiers I have used throughout the book). In a world of lively matter, we see that biochemical and biochemical-social systems can sometimes unexpectedly bifurcate or choose developmental paths that could not have been foreseen, for they are governed by an emergent rather than a linear or deterministic causality. And once we see this, we will need an alternative to the idea of nature as blind mechanism. A vital materialism interrupts both the teleological organisms of some ecologists and the machine image of nature governing many of their opponents.

Jane Bennett
Vibrant Matter

Not Knowing How to Look

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Bourdieu’s judgement, and that of all those who denounce the aesthetic illusion, rests on a simple alternative: you know or you do not [on connaît ou on méconnaît]. If you do not know [méconnaît], it is because you do not know [sait] how to look or you cannot look. But to not be able to look is still a way of not knowing how to look. Whether philosopher or petit-bourgeois, those who deny this, those who believe in the disinterested character of aesthetic judgement do not want to see because they cannot see, because the place that they occupy in the determined system, for them as for everyone else, constitutes a mode of accommodation which determines a form of misrecognition [méconnaissance].

Rancière, Jacques and Jon Roffe (Translator). “Thinking between disciplines: an aesthetics of knowledge.” in: Parrhesia. Vol. 1, 2006. (English).

I am a Material Configuration

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Neither From Nor Towards (1992) - Cornelia Parker

Neither From Nor Towards (1992) – Cornelia Parker

I am a material configuration, the pigeons in the park are material compositions, the viruses, parasites, and heavy metals in my flesh and in pigeon flesh are materialities, as are neurochemicals, hurricane winds, E. coli, and the dust on the floor. Materiality is a rubric that tends to horizontalize the relations between humans, biota, and abiota. It draws human attention sideways, away from an ontologically ranked Great Chain of Being and toward a greater appreciation of the complex entanglements of humans and nonhumans. Here. the implicit moral imperative of Western thought -”Thou shall identify and defend what is special about Man”-loses some of its salience

Jane Bennett
Vibrant Matter

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Jorge Luis Borges

Jorge Luis Borges

The Signifying Corpse: Re-Reading Kristeva on Marguerite Duras by Karen Piper [PDF]: “Moderato cantabile, far from the sweet and melodious story the title suggests, is centred around the sound of a scream.”

A Dictionary of Borges [PDF] by Evelyn Fishburn and Psiche Hughes (Forewords by Mario Vargas Llosa and Anthony Burgess).

One of my favourite of JG Ballard’s short stories: The Concentration City [PDF].

Jonathan McCalmont’s perceptive analysis of the ambiguities of the brilliant film Fish Tank.

Sex and Gender in Simone de Beauvoir’s Second Sex [PDF] by Judith Butler. “In fact, we can see in The Second Sex an effort to radicalize the Sartrian program to establish an embodied notion of freedom.”

A Writer from Chicago [PDF] by Saul Bellow. “Neither in brash, and now demoralised, Chicago nor in New York, the capital of victorious mass culture (American culture is the culture of the TV networks), will any writer try to live like an artist. If he is a person of any degree of seriousness, why would he want to?”

James Joyce’s sublime A Portrait of the Artist as a Young Man [PDF-Full].

Complete Dante Alighieri’s Divine Comedy in PDF – 3 books. This is Longfellow’s translation.

The Library of Babel [PDF] by Jorge Luis Borges.

A wonderful Anne Carson essay, Contempts [PDF] .

Patrick Leigh Fermor: We May Just Forget to Die [PDF] by Margot Demopoulos.

Gabriel Josipovici’s brilliant Kafka essay: Why we don’t understand Kafka.

James Joyce’s essential Ulysses [PDF-Full].

Two by Friedrich Nietzsche: my favourite Ecce Homo (How One Becomes What One Is) and The Antichrist (A Curse on Christianity) [PDF]. A new translation by Thomas Wayne.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Bridget Riley in her Studio, 1960's

Bridget Riley in her Studio, 1960′s

Dodie Bellamy’s passionate, polemical Barf Manifesto is one of the most intriguing texts I’ve read this year. Spew Forth [PDF] is a good taster of her aesthetic.

Seamus Heaney’s The Art of Poetry interview. “I mean, who wouldn’t like to write Mozartian poetry?”

“Man is free; but he finds his law in his very freedom.” Any long time reader of this blog knows I’m very interested in the work, thought and person of Simone de Beauvoir. The Ethics of Ambiguity was, in part, her response to Sartre’s Being and Nothingness.

Franz Kafka’s Complete Short Stories [PDF]: if I were allowed to keep only a single book it would be this one. I could read these stories alone for the rest of my life and never tire of them.

Franz Kafka’s The Trial [PDF]: a more modern translation of The Trial.

David Winter’s superb review of Christine Schutt’s Prosperous Friends, “proves Schutt to be of the finest stylists alive”.

“What can we say we really understand about our personal experience with colour?” Bridget Riley’s Introduction to Colour: Art and Science [PDF] addresses colour in art.

Pierre Bourdieu’s The Rules of Art: Genesis and Structure of the Literary Field. [PDF]

JG Ballard’s The Complete Short Stories [PDF]: though I agree with Germaine Greer’s comment that Ballard is “a great writer who hasn’t written a great novel,” I enjoy reading his short stories and longer pieces. It is his autobiographical books that get closest to greatness.

Ray Brassier’s dense but tantalising Nihil Unbound: Enlightenment and Extinction [PDF].

Michel Houellebecq’s The Art of Fiction interview. “Iggy Pop wrote some songs based on my novel The Possibility of an Island.”

Luce Irigaray’s brilliant This Sex Which is Not One [PDF], in which she argues that our society is predicated on the exchange of women.

Pierre Bourdieu’s essay on The Forms of Capital [PDF] outlines the distinctions between economic, social and cultural capital.

Mahmoud Darwish’s breathtakingly beautiful poem Tuesday And The Weather Is Clear [PDF].