Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter. Some of the links to PDFs disappear quickly so download them promptly.

Bridget Riley in her Studio, 1960's

Bridget Riley in her Studio, 1960′s

Dodie Bellamy’s passionate, polemical Barf Manifesto is one of the most intriguing texts I’ve read this year. Spew Forth [PDF] is a good taster of her aesthetic.

Seamus Heaney’s The Art of Poetry interview. “I mean, who wouldn’t like to write Mozartian poetry?”

“Man is free; but he finds his law in his very freedom.” Any long time reader of this blog knows I’m very interested in the work, thought and person of Simone de Beauvoir. The Ethics of Ambiguity was, in part, her response to Sartre’s Being and Nothingness.

Franz Kafka’s Complete Short Stories [PDF]: if I were allowed to keep only a single book it would be this one. I could read these stories alone for the rest of my life and never tire of them.

Franz Kafka’s The Trial [PDF]: a more modern translation of The Trial.

David Winter’s superb review of Christine Schutt’s Prosperous Friends, “proves Schutt to be of the finest stylists alive”.

“What can we say we really understand about our personal experience with colour?” Bridget Riley’s Introduction to Colour: Art and Science [PDF] addresses colour in art.

Pierre Bourdieu’s The Rules of Art: Genesis and Structure of the Literary Field. [PDF]

JG Ballard’s The Complete Short Stories [PDF]: though I agree with Germaine Greer’s comment that Ballard is “a great writer who hasn’t written a great novel,” I enjoy reading his short stories and longer pieces. It is his autobiographical books that get closest to greatness.

Ray Brassier’s dense but tantalising Nihil Unbound: Enlightenment and Extinction [PDF].

Michel Houellebecq’s The Art of Fiction interview. “Iggy Pop wrote some songs based on my novel The Possibility of an Island.”

Luce Irigaray’s brilliant This Sex Which is Not One [PDF], in which she argues that our society is predicated on the exchange of women.

Pierre Bourdieu’s essay on The Forms of Capital [PDF] outlines the distinctions between economic, social and cultural capital.

Mahmoud Darwish’s breathtakingly beautiful poem Tuesday And The Weather Is Clear [PDF].

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

This Japanese Modernist reading list is intriguing, and I must make time to investigate more closely some of these titles.

Jhumpa Lahiri on the craft of writing: My Life’s Sentences.

Gatsby, 35 Years Later (1960).

Michiko Kakutani’s review of Zelda Fitzgerald The Collected Writings Edited by Matthew J. Bruccoli.

Conversations with iconic people: interview with Chris Kraus.

The complete audio recordings of Jean Cocteau, recorded between 1929 and 1955.

A complete digital edition of Thomas More’s Utopia.

Review of Franz Schulze’s superb, updated Mies van der Rohe: A Critical Biography.

A punk rock vision quest told in the tradition of the anarchist travel story. Hib and Kika’s Off the Map.

Why isn’t his greatness acknowledged? Review of Arun Kolatkar’s Jejuri.

Referred to as China’s first modern short story, Lu Xun’s A Madman’s Diary.

Angela Carter’s literary executor explores the enduring influence of her reimagined fairy tales.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Diane Ackerman on the natural world, the world of human endeavor and connections between the two: A Little Night Music.

Paul Valéry, The Position of Baudelaire (1924). La Situation de Baudelaire was translated by William Aspenwall Bradley and excerpted from the book Variety: Second Series, New York: HBJ, 1938.

The Dream of the Audience – Artist’s Books by Theresa Hak Kyung Cha.

Solid Quarter – Narcissism, Madness & Alters: Nicki Minaj and Unica Zürn (Part 1).

Virginia Woolf – Monk’s House photograph album.

Reach back, even prior to the modernism of Pound, to Yeats again and discover the poetry of Madeline Gleason.

Bringing Back Mina Loy.

Mapping the Lost Paris of Anaïs Nin.

Nightwood, A Hymn To The Dispossessed by Siri Hustvedt (on Djuna Barnes).

Walter Kaufmann’s brilliant lectures on Nietzsche, Kierkegaard and Sartre (1960).

The Object is Always Magic: Narrative as Collection – delightful essay by Gregory Howard.

Thea Lenarduzzi’s TLS review of the Stories and Essays of Mina Loy.

Anne Carson’s devastating, glorious The Glass Essay.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Still not available on Lovefilm, but I am so very eager to watch Tom and Viv, which highly questionably “pins the Eliots’ train wreck of a marriage almost entirely on Viv’s hormones and drug use”.

Spotlight on Jane Bowles’ Plain Pleasures (1966): outstanding post on writer Dennis Cooper’s blog – “her small oeuvre is distinguished by its quality and innovation.”

Yet another wonderful Paris Review interview, this time with Egyptian writer Naguib Mahfouz.

Close-Up on Eric Rohmer’s The Green Ray: An interview with French actress and filmmaker Marie Rivière.

The Most Beautiful Perhaps - review of Quentin Meillassoux’s The Number and the Siren: A Decipherment of Mallarmé’s Coup De Dés.

From Monoskop, a download of Sherry Turkle’s highly absorbing Evocative Objects: Things We Think With, an old favourite.

From Michelle, one of my favourite reviewers, a review of Doris Lessing’s The Fifth Child.

A wonderful, informative post about American poet Tina Darragh.

I’m looking forward to Simon Critchley’s new book, co-authored with his wife, the psychoanalyst Jamieson Webster, The Hamlet Doctrine. This brilliant interview from The White Review discusses The Tragic and its Limits.

From HTMLGiant, Pier Paolo Pasolini’s great essay on the long take.

Katie Roiphe’s column on Ian McEwan is arguably better than reading her subject’s novels. “Want To Understand Sexual Politics? Read This Novel. Ian McEwan’s Sweet Tooth reveals the deepest ways in which men misunderstand women.”

Open Culture offers up Nirvana’s Home Videos: An Intimate Look at the Band’s Life Away From the Spotlight.

Richard Kovitch’s review of Extreme Metaphors – Interviews with J.G Ballard 1967 – 2008. Richard quotes Germaine Greer’s so very accurate pronouncement that, “JG Ballard is a great writer who has never written a great novel.”

How about going on a chronological journey through every Woody Allen film?

A short story: The Confessions of Helen Westley by Djuna Barnes.

Joseph Brodsky: Six Years Later

So long had life together been that now
the second of January fell again
on Tuesday, making her astonished brow
lift like a windshield wiper in the rain,
so that her misty sadness cleared, and showed
a cloudless distance waiting up the road.

So long had life together been that once
the snow began to fall, it seemed unending;
that, lest the flakes should make her eyelids wince,
I’d shield them with my hand, and they, pretending
not to believe that cherishing of eyes,
would beat against my palm like butterflies.

So alien had all novelty become
that sleep’s entanglements would put to shame
whatever depths the analysts might plumb;
that when my lips blew out the candle flame,
her lips, fluttering from my shoulder, sought
to join my own, without another thought.

So long had life together been that all
that tattered brood of papered roses went,
and a whole birch grove grew upon the wall,
and we had money, by some accident,
and tonguelike on the sea, for thirty days,
the sunset threatened Turkey with its blaze.

So long had life together been without
books, chairs, utensils—only that ancient bed—
that the triangle, before it came about,
had been a perpendicular, the head
of some acquaintance hovering above
two points which had been coalesced by love.

So long had life together been that she
and I, with our joint shadows, had composed
a double door, a door which, even if we
were lost in work or sleep, was always closed:
somehow its halves were split and we went right
through them into the future, into night.

Links of the Week

Many of these links have been tweeted in the past, but here I can tag and categorise them for future reference. I hope you find some of them interesting too. Please feel free to discuss in comments or on Twitter.

Sophie Calle: stalker, stripper, sleeper, spy - From following a stranger to Venice to burying her mother’s jewellery at the north pole, Sophie Calle is France’s foremost artist of the unexpected.

Sophie Calle: Detail from Take Care of Yourself (2007).

Violette Editions: Sophie Calle’s Double Game, which takes the form of a double jeu, a ‘double game’, between the work of Sophie Calle and the fiction of Paul Auster.

Sub Rosa post: The unconventional world of Mary Ruefle.

The Art of Memory post: Pictures of Gerhard Richter’s Atlas.

Stephen Mitchelmore essay: Looking and Looking Away – WG Sebald’s fiction and On the Natural History of Destruction.

In lieu of a field guide post: Vila-Matas’s lecture novel (A review of Never Any End to Paris).

Javier Marías essay: The Hero’s Dreadful Fate (The decline of Westerns).

Guardian review: Introduction to Antiphilosophy by Boris Groys - An electrifying set of essays on continental thinkers.

Logos essay (Stephen Eric Bronner): Modernism, Surrealism, and the Political Imaginary.

In lieu of a field guide post: Woman in the Dunes (directed by Teshigahara Hiroshi).

London Cross – A straight line walk across London: If you walk across a great city such as London in two straight lines, south to north and east to west – a cross-section – what do you find?

The Rose is Not Beauty

Quote

When you are walking down a city street and not paying much attention-perhaps you are downtrodden by some confusion-and come suddenly upon a rosebush blooming against a brick wall, you may be struck and awakened by the appearance of beauty. But the rose is not beautiful. You may think the rose is beautiful and so you may also think, with sadness, that it will die. But the rose is not beauty. What beauty is is your ability to apprehend it. The ability to apprehend beauty is the human spirit and it is what all such moments are about, which is why such moments occur in places and at times that may strike another as unlikely or inconceivable, and it does not seem far-fetched to say that the larger the human spirit, the more it will apprehend beauty in increasingly unlikely and inconceivable situations, which is why there is such a great variety of art objects on earth. And there is something else we should say about the apprehension of beauty: it causes discomfort; and by discomfort I mean that state of being riles, which is a state of reverberation.

Mary Ruefle
Madness, Rack, and Honey

Not Going to Him by Sharon Olds

Not Going to Him

Minute by minute, I do not get up and just

go to him –

by day, twenty blocks away;

by night, due across the city’s

woods, where night-crowned heron sleep.

It is what I do now: not go, not

see or touch. And after eleven

million six hundred sixty-four thousand

minutes of not, I am a stunned knower

of not. Then I let myself picture him

a moment: the bone that seemed to surface in his

wrist after I had held my father’s

hand in coma; then up, over

his arm, with its fold, from which for a friend

he gave his blood. Then a sense of his presence

returns, his flesh which seemed, to me,

made as if before the Christian

God existed, a north-island baby’s

body become a man’s, with that pent

spirit, its heels dug in, those time-worn

heels, those elegant flat feet;

and then, in a sweep, calf shin knee thigh pelvis

waist, and I run my irises

over his feathered chest, and on his neck,

the scar, dollhouse saucer of tarnish

set in time’s throat, and up to the nape and then

dive again, as the swallows fly

at speed – cliff and barn and bank

and tree – at twilight, just over the surface

of a sloping terrain. He is alive, he breathes

and moves! My body may never learn

not to yearn for that one, or this could be

a first farewell to him, a life-do-us-part.

Sharon Olds

Idées Fixes of the Week

Rineke Dijkstra: Matadors

Rineke Dijkstra, arguably the most essential contemporary portrait photographer.

A photograph works best when the formal aspects such as light, colour and composition, as well as the informal aspects like someone’s gaze or gesture come together. In my pictures I also look for a sense of stillness and serenity. I like it when everything is reduced to its essence. You try to get things to reach a climax. A moment of truth.

*****

Martin Hägglund

While Proust, Woolf, and Nabokov all sought to transform the art of the novel to convey the condition of time, their works have persistently been read in terms of a desire to transcend temporal finitude. In contrast, I pursue a notion of “chronolibido” that challenges this notion of desire. The fear of time (chronophobia) does not stem from a desire to transcend time, but rather from the investment in a life that will be lost. It is because one desires a temporal being (chronophilia) that one fears losing it (chronophobia). The implications of chronolibido that I pursue in the major works of Proust, Woolf, and Nabokov are not simply an extrinsic theory that I apply to the novels in question, but rather a set of insights that I derive from close readings of the texts themselves. Finally, I systematize the logic of chronolibido through an in depth engagement with psychoanalysis. Contesting Freud and Lacan’s notion of the death drive, I seek to demonstrate how the chronolibidinal notion of binding provides a better model for thinking the constitution of the libidinal economy and why the logic of survival is more expressive of the problems of attachment, trauma, and mourning that are at the center of psychoanalytic inquiry.

*****

Mary Ruefle
I Remember, I Remember

I remember—I must have been eight or nine—wandering out to the ungrassed backyard of our newly constructed suburban house and seeing that the earth was dry and cracked in irregular squares and other shapes, and I felt I was looking at a map and I was completely overcome by this description, my first experience of making a metaphor, and I felt weird and shaky and went inside and wrote it down: the cracked earth is a map. Although it only takes a little time to tell it, and it is hardly interesting, it filled a big moment at the time, it was an enormous ever-expanding room of a moment, a chunk of time that has expanded ever since and that my whole life keeps fitting into.

*****

Gilles Deleuze and Felix Guattari.

Kafka: Toward a Minor Literature

We might as well say that minor no longer designates specific literatures but the revolutionary conditions for every literature within the heart of what is called great (or established) literature. Even he who has the misfortune of being born in the country of a great literature must write in its language, just as a Czech Jew writes in German, or an Ouzbekian writes in Russian. Writing like a dog digging a hole, a rat digging its burrow.

*****

Jon Rafman

9 Eyes of Google Street View (2009)

Idées Fixes of the Week

John Kay: Ralph Rylance (1813)

The British Library has today published a new edition of the 1815 Epicure’s Almanack, the first ever ‘good food guide’ to London. Listing some 650 eating houses, taverns, coffee houses, and inns, the original Almanack was the work of Ralph Rylance, an aspiring poet and dramatist. This new edition, edited by Janet Ing Freeman, presents his original text together with commentary on many of the establishments and on the wider subject of eating and drinking in London at the beginning of the nineteenth century.

Fewer than 30 copies of the original book are recorded in libraries today. It was never continued nor reprinted, and lack of public enthusiasm for the guide meant that several hundred unsold copies were destroyed two years after publication. Nonetheless, scholars continue to refer to it for descriptions such as that of London’s first Indian restaurant, the Hindostanee Coffee House in Marylebone, where all the dishes were ‘dressed with curry-powder and the best spices of Arabia’, and a room was set apart for ‘smoking from hookahs with oriental herbs’.

Rylance reviewed the eateries and their menus single-handedly and on foot. His book provides an excellent contemporary view of an important aspect of Regency London life, and gives a glimpse of a bygone city, in which the oysterman at the Cock Tavern in Fleet Street busily opens shells ‘with the dexterity of a squirrel’ and more elegant eating houses display their wares in the window, including the ‘fine, lively, amiable turtle’ shortly to appear on the menu.

*****

The Munch exhibition is exemplary, breathtaking.

*****

Not that I’m saying anything
Richard Price

Not that I’m saying anything
at least, I’m more speaking just to be hearing, answering
to ask if reply-to-reply just might (not knowing)
perpetuate this pulse-on-pulse to-ing and fro-ing,
as if here, in your here-and-now, is best brimmingness,
breathless, beyond fondness, found.

Hard dream, extreme astound!
Death the sky, death the ground. Yet,
we’re coming around.
We’ve been laughed alive,
paired-up – for the dive – bound -
to the vast unbound.

Let’s swim – in liquid sound, luxuriate
in while, in whim in … flirt and secret flout,
It’s not too late. Let doubts leave. For trying out loud
lets improvise our intimate lives, perfect … an intricate duet.
Let’s retrieve, in the whelm, in the depth,
kindness of touch – and, say, say this much:
we’ll plan to play, to enjoy, stronger than belief, full sweet
‘nothing’ – if such pleasure (a kiss the gentlest of decrees)
elicits your delicate, illicit, please.

*****

Bach’s Six Suites for Unaccompanied Cello are old friends and cello is the instrument closest to my heart. Pablo Casals is long my preferred cellist but Mischa Maisky could easily challenge that preference.

*****

I’m so restless, unable to settle on a book, switching between Deleuze and Miéville, old copies of the TLS, the latest White Review and that rathole, Twitter.