… a book of this kind must inevitably be personal, but that does not mean that it should be merely subjective: I wish to persuade my reader, not simply air my opinions. Yet it is difficult to walk the thin line between didacticism and rant, and between giving too much information and too little.
This prefatory paragraph from Gabriel Josipovici’s What Ever Happened to Modernism? could apply equally to his collection of essays The Singer on the Shore. The latter contains nineteen delightful literary essays on the Bible, Shakespeare, Kierkegaard, Kafka, Borges, Tristram Shandy and the Israeli novelist Aharon Appelfeld.
What sets these essays apart is Josipovici’s authorial tone; authoritative but never sanctimonious. This Guardian review is spot on, “It is a distinguishing, and a distinguished, mark of Josipovici’s sensitivity to his subject and his audience that – and I can’t stress this too much – that you don’t have to be that familiar with his subjects to get something out of what he says about them.” But like all good literary essays, Josipovici’s will compel you to reread a favourite novel and dip into a new writer’s work.
Across the nineteen essays are coherent themes, of rootlessness, the nature of art and literature and Josipovici’s love of Proust, Eliot and Kafka. That Josipovici writes of writers I already read, and identifies nuances that are personally meaningful makes this collection important to me. That he writes beautifully, with humility and playfulness makes this book highly recommended for any reader.