Some very lively debates about modernity and aesthetics took place in the pages of The New Age, a weekly magazine devoted to literature, the arts and politics. The magazine ran from 1907 to 1922, offering readers a response to the conditions of modernity.
One of several discoveries of reading Robert Schole’s Paradoxy of Modernism is of a complete online archive of The New Age. Within its pages are contributions from writers like Hilaire Belloc, Havelock Ellis, T. E. Hulme, Holbrook Jackson, Katherine Mansfield, Ezra Pound, H. G. Wells and George Bernard Shaw.
Scholes book is good, though I am not convinced of his central thesis, that to truly appreciate Modernism we have to read more widely, particularly the minor texts (what Scholes calls “durable fluff,” “iridescent mediocrity” and “formulaic creativity.”) Josipovici and Scholes broadly agree on the origins, and inevitability, of Modernism, but would disagree on its transition to Postmodernism. More on the book on another occasion.