How to purge the horror. Not possible. At best give it shape and name.
Incarcerated, awaiting the death penalty, the protagonist of Carole Maso’s Defiance, depicted in the tabloids as a modern-day Medea, gently discloses her devastating, destructive life. Presenting the novel as the journal of an unrepentant double-murderer gives Maso the freedom to explore a story of victimisation and sexual abuse from an unfamiliar angle. That Maso brings to Defiance the intelligence and erudition evident in Ava also helps to lift her novel from the more mainstream discourse of victimhood.
Though beautifully written, the essence of the novel that male violence is endemic in our culture is authoritative and unyielding. Maso’s story is in many ways reminiscent of the Aileen Wournos narrative (as played memorably in Monster by Charlize Theron), the essential difference being that Maso’s protagonist, Bernadette, is a mathematical prodigy. Throughout the story Maso challenges the reader to question the game Bernadette is playing with her readers, her social worker, and others.