Insidious, that’s my one word summary for Catherine Lacey’s Nobody is Ever Missing, ‘proceeding in a gradual, subtle way’ confirms the dictionary, ‘but with very harmful effects’. Like insomnia. I finished Nobody is Ever Missing forty-eight hours ago unsure whether I enjoyed reading Lacey’s story. Sometimes that happens and a few hours later I’ve forgotten a story, other times it won’t leave me. It encroaches on my thoughts like a screwworm, burrowing deeply.
There are many ways in which Nobody is Ever Missing could be different, even better. For the first forty pages I was going to abandon the book, leave it on my commuter train for someone else to give a fuck. The following paragraph was almost the moment to quit:
She pulled over in front of a café with a sign that said THE INTERNET. I got out of the car and the old lady said, Good luck, take care, and I didn’t know what I was going to spend any good luck on or what I could care for, but I said, Thank you, because that’s what you do
That’s the cutesy note that puts me off a shedload of American literature, normally time to give up, but something of Lacey’s voice kept me reading. The deftness of narrative control whilst depicting the inchoate narrator’s chaotic inner monologue is thrilling and really smart. The way that Lacey handles the passage between monologue and narrative creates a fluidity that sustains the compulsion to read on. There’s also a lightness of touch that situates the story almost, but not quite, on the razor edge of comedy , awaiting a turn to the comic, but the turn never comes. Instead it spirals into deepening notes of darkness, but without losing its place on that razor’s edge.
Forty-eight hours later Lacey’s story is still playing on my mind. The ending is brilliant. It doesn’t allow you to leave the story behind. I don’t know if I enjoyed the book, but I want to read more of Lacey’s work. As a début, it is staggeringly good.