Red Skull, Earth, Sea and Sky

Head in Red (1930/31) – Karl Ballmer

Beckett visited Ballmer in his Hamburg studio in November 1936 where he saw this painting and made the following diary entry:

Wonderful red Frauenkopf, skull earth sea & sky, I think of Monadologie & my Vulture. Would not occur to me to call this painting abstract. A metaphysical concrete. Not Nature convention, but its source, fountain of Erscheinung [phenomenon]. Fully a postieri painting. Object not exploited to illustrate an idea, as in say {Fernand] LĂ©ger or [Willi] Baumeister, but primary. The communication exhausted by the optical experience that is its motive & content. Anything further is by the way. Thus Leibniz, monadologie, Vulture, are by the way. Extraordinary stillness.

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