[..] fleeing at full speed whenever I catch sight of bodies that have any sort of faith in any sort of institution or being; fleeing the feebleminded and atrocious conviviality of our time; building a lesser dependency within a small network of polite expressions,
of harmonies between grammatical tenses and musical instruments,
of small softer regions of the skin,
of certain berries, of certain flowers,
of rooms, of books and of friends,
this is to what my head and body devote the essential part of their reciprocal, always unadjusted, finally almost rhythmic times.
Pascal Quignard, The Hatred of Music, translated by Matthew Amos and Fredrik Rönnbäck