These Disparate Pieces

Quote

“What were all those hours and years of reading and thinking? What had they done for him? He no more knew all the books he’d taken in than the water knows its flotsam, yet like that water he was thick and sluggish with it. He longed to be free of all that he once longed for, and began to imagine that there might come such a scouring (from where? with what?) that he might be, not wiped clean of what he’d learned so imperfectly, but emergent and changed on the other side of it. Not a purge, a passage. Then all these disparate pieces might cohere in him, cohere as him. The great irony, of course, the truth that came as all truths came to him now–too near to escape, too faint to savour–is that it was art that instilled in him this ideal of unity and clarity in the first place.”

Christian Wiman, My Bright Abyss

The Relentless Smell of the Self

“I once believed in some notion of a pure ambition, which I defined as an ambition for the work rather than for oneself. But now? If a poet’s ambition were truly for the work and nothing else, he would write under a pseudonym, which would not only preserve that pure space of making but free him from the distractions of trying to forge a name for himself in the world. No, all ambition has the reek of disease about it, the relentless smell of the self–except for that terrible, blissful feeling at the heart of creation itself, when all thought of your name is obliterated and all you want is the poem, to be the means wherein something of reality, perhaps even something of eternity realises itself. That is noble ambition. But all that comes after–the need for approval, publication, self-promotion–isn’t this what usually goes under the name of “ambition”? The effort is to make ourselves more real to ourselves, to feel that we have selves, though the deepest moments of creation tell us that, in some fundamental way, we don’t. (Souls are what those moments reveal, which are both inside and outside, both us and other.) So long as your ambition is to stamp your existence upon existence, your nature on nature, then your ambition is corrupt and you are pursuing a ghost.”

Christian Wiman, My Bright Abyss

In some times, such a sentiment is broadly shared. It is almost unbearable how alien it is in this time.

A Relation Between Human Experiences

Quote

“A critic for whom literature is not rooted deeply in life, whose ideas seem to have no relation to lived experience, doesn’t hold much interest for me. By the same token, any writing that’s personal, that does not manage to say something critical about life in general, is equally inert. Our own experiences matter only insofar as they reveal something of experience itself. They are often the clearest lens that we can find, but they are a lens.”

–Christian Wiman, Ambition and Survival.

Crossroads of the Paths of my Thinking

Simone Weil wrote, “Our personality seems to us a sort of limit, and we love to figure that some day in an undetermined future we can get around it in one direction or another, or in many. But it also appears to us as a support and we wish to believe there are things we would never be capable of doing or saying or thinking because it is not in our character. That often proves false.” The stoic lesson: life lives us.

We often think that signposts carry meaning. My inner skeptic always questions how I can be sure that I arrive at the correct interpretation of a signpost. Recently all my reading is providing signposts to Simone Weil. Her work. Her self. Fanny Howe quotes a friend who called Weil “a secular monastic”. People will begin to consider me religious, buried in the work of yet another mystic. Some things I read nod forward to Weil: St. John of the Cross, Plato, in whom Weil detected foreshadows of Christianity; a bridge between Greek tragedy and Christian mysticism.

In Fanny Howe, like Christian Wiman, I discover the work of another tutelary spirit. Their books like Agamben’s, Wittgenstein’s blow more or less vigorously in the direction of Simone Weil, what Walter Benjamin, in a letter to Gershom Scholem about Kafka, described as “crossroads of the paths of my thinking.”

Howe in The Needle’s Eye, reflects on personality and our self-representing masks through a series of associative thoughts about the Boston marathon bombers, Francis and Clare of Assisi, folk philosophies and social norms.

My daughter is reading an old favourite book from when I was seventeen, Erving Goffman’s The Presentation of Everyday Life. He argues that the self adapts our personality to suit the setting, donning a different mask as necessary, but that these masks are not permanent. Weil wrote, “The thing we believe to be our self is as ephemeral and automatic a product of external circumstances as the form of a sea wave.”

“degrading thirst after outrageous stimulation”

Described as a sequel to his memoir, My Bright Abyss, I shall be reading backwards, getting to the prequel after He Held Radical Light, which I’ve just finished reading three times, back to back.

Wiman is a poet wrestling with spiritual matters yet nothing to him is more central and worthy of attention than the raw facts of living. His optimistic thesis is that no one is spiritually so out of reach as to be forever removed from communication with things infinite and mystical.

“I’m usually suspicious of claims that privilege one generation’s experience, always of some form of suffering, over another’s. (Why do we never compare our joys or our relative capacities for experiencing joy?) Contemporary culture is awash with anxiety over the disease of anxiety, the endless onslaught of technology, and the diminishment of individual attention our electronic immersion entails. It’s a genuine problem, no question, one I feel myself, but it’s not as new or as dependent upon contemporary technology as we make it out to be. Way back in 1790, in his “Preface to Lyrical Ballads,” Wordsworth decried the “degrading thirst after outrageous stimulation” against which his poetry–interior, meditative, focussed on common people and things–was trying to find an audience. The argument is more eloquent and sophisticated than we’re used to, but the heart of his critique would make a fine tweet.”

Christian Wiman, He Held Radical Light