- Roberto Calasso, The Unnamable Present
- Laura Nasrallah, Archaeology and the Letters of Paul
- Jan Zwicky, The Experience of Meaning
- Yiyun Li, Where Reasons End
- Olga Tokarczuk, The Books of Jacob
- Hans Magnus Enzensberger, Anarchy’s Brief Summer
- Simon Critchley. Tragedy, the Greeks and Us
- Dan Gretton, I You We Them
- Clarice Lispector, The Besieged City
- Simone de Beauvoir, Diary of a Philosophy Student: Volume 2, 1928-29
- Annie Ernaux, Happening
- Moyra Davey, Moyra Davey
- Claudio Magris, Snapshots
- Jean-Paul Sartre, Being and Nothingness (Sarah Richmond’s translation)
- Kate Zambreno, Appendix Project
- Christina Hesselholdt, Vivian
- Enrique Vila-Matas, Mac and His Problem
- Theodor Adorno, Notes to Literature
- Geoffrey Hill, The Book of Baruch by the Gnostic Justin
“. . . everything is saturated with meaning, friendships, love affairs, the view of the world, the language.”
Reading Christina Hesselholdt’s Companions is to inhabit a constant rise and fall, immersion into conflicting currents and patterns that appear and disappear in the form of interior monologues of a group of the companions that give the book its title.
These companions are intertwined around Camilla, whose literary passion is one of the many pleasing aspects of this novel, as she contemplates, amongst many others, writers as diverse as Thomas Bernhard and Lawrence Durrell.
Saturation is the word that Virginia Woolf used to describe the effect she desired in The Waves, ‘a saturated unchopped completenesss’. Hesselholdt’s book stylistically nods in the direction of The Waves but has a different intensity. I found it absorbing and satisfying to follow each individual’s disillusionments and their sense of life and human separateness.