Some Well-Intentioned Reading Ideas for 2015 (updated)

These are not reading resolutions. Writers promising literary gifts lead me astray too easily for these ideas to be fixed in any way.

This year I read widely covering fifty or so writers, concentrating my reading more deeply only twice on Houellebecq and Anne Carson’s work. In 2015 I’d like to read more deeply into the work of some of my favourite authors: alternative Dante and Homer translations (and Adam Nicholson’s The Mighty Dead: Why Homer Matters) ,  more Ballard’s short stories, always more Beckett, John Berger, Roberto Calasso, more Anne Carson, the new Tom McCarthy, Robert Musil’s diaries, Hélène Cixous, Coetzee, Jenny Diski, Dostoevsky, Marguerite Duras, Pierre Hadot, Houellebecq’s new one if translated next year, Kafka’s short stories, László Krasznahorkai, Clarice Lispector, Bourdieu, Doris Lessing, Nabokov, Alice Oswald, Robert Macfarlane, Nietzsche, Atiq Rahimi, WG Sebald, Thomas Mann, Christa Wolf and Virginia Woolf.

Beyond these ‘old chestnuts’ (as Beckett called his favourite authors) I’m looking forward to unexpected surprises within the pages of the following new books, either missed in 2014 or due in 2015, by authors I have not read before:

  1. Kirmin Uribe – Bilbao – New York – Bilbao
  2. Claudia Rankine – Citizen: An American Lyric
  3. Yvonne Adhiambo Owuor – Dust
  4. Ceridwen Dovey – Only the Animals
  5. Karin Wieland (trans. Shelley Frisch) – Dietrich & Riefenstahl: The dream of the new woman
  6. Can Xue – The Last Lover
  7. Anna Smaill – The Chimes
  8. Han Kang (trans. Deborah Smith) – The Vegetarian
  9. Paul Celan – Breathturn Into Timestead
  10. David Winters – Infinite Fictions: Essays on Literature and Theory

There are several other writers whose older works I’d like to get around to exploring sometime soon including Jens Bjørneboe, Martin Shaw, Ivan Illich, Eva Hoffman, Ivan Goncharov, David Abram, Ágota Kristóf, Rebecca Solnit, Tomas Espedal and Elfriede Jelinek.

As always, distractions are greater than my ambition, but if I manage to take in a decent selection of the above I’m expecting a good year in reading. There are several other titles I have my eye on but I’m mindful of your patience and Molloy’s admission that ‘if you set out to mention everything you would never be done.’

An Optical and Moral Illusion

First proposition. The reasons for which “this” world has been characterised as “apparent” are the very reasons which indicate its reality; any other kind of reality is absolutely undemonstrable.

Second proposition. The criteria which have been bestowed on the “true being” of things are the criteria of not-being, of naught; the “true world” has been constructed out of contradiction to the actual world: indeed an apparent world, insofar as it is merely a moral-optical illusion.

Third proposition. To invent fables about a world “other” than this one has no meaning at all, unless an instinct of slander, detraction, and suspicion against life has gained the upper hand in us: in that case, we avenge ourselves against a better life with a phantasmagoria of “another,” a “better” life.

Fourth proposition. Any distinction between a “true” and an “apparent” world-whether in the Christian manner or in the manner of Kant (in the end, an underhanded Christian)-is only a suggestion of decadence, a symptom of the decline of life. That the artist esteems appearance higher than reality is no objection to this proposition. For “appearance” in this case means reality once more, only by way of selection, reinforcement, and correction. The tragic is no pessimist: he is precisely the one who says Yes to everything questionable, even to the terrible-he is Dionysan.

Twilight of the Idols

Heraclitus at the Edge of Language

“The truth is that Heraclitus attracts exegetes as an empty jam pot wasps; and each new wasp discerns traces of his own favourite flavour.” Jonathan Barnes, from The Presocratic Philosophers. He goes on to say, “The existence of such diverse interpretations of Heraclitus’ philosophy will sow seeds of despair in the mind of any honest scholar …”

I posted a few excerpts of Richard Geldard’s Remembering Heraclitus, and thought it a lucid exposition, but with a strong personal flavour, portraying Heraclitus as a mystic, likely influenced by the Vedics and a forerunner of Marcilio Ficino, the Gnostics, up to and including the American Transcendentalists. With Barnes’ caution in mind I’ll admit to seeds of despair (as much as I’d like to follow Geldard wholeheartedly with his arguments), preferring to side with Nietzsche that Heraclitus was neither mystic nor materialist. Geldard’s parallels in the epilogue between Heraclitus, Roger Penrose, and the quantum consciousness hypothesis probably whistled way over my head but didn’t strengthen Geldard’s broader contentions.

Next I’m reading Charles Kahn’s drier (more sober) interpretation of Heraclitus’ fragments that interest me by treating Heraclitus not only as a first-rate philosophical thinker but also as a brilliant literary artist. This is the Heraclitus of George Steiner, who wrote so beautifully:

It is the most “stylish’ of philosophers, those most alert to the expressive constraints and resources of stated thought, to its implicit cadence, such as Kierkegaard and Nietzsche, who look to Heraclitus. It is Novalis, practitioner of the Orphic fragment, and Heidegger the neologist, the craftsman of tautology. Rhapsodic and oracular intellects recognise in Heraclitus the fundamental, generative collision between the elusive opacity of the word and the equally elusive but compelling clarity and evidence of things. Immediate or hurried apprehension, the colloquial, misses this decisive tension, that, in Heraclitus’s celebrated duality, of the bow and the lyre. To listen closely-Nietzsche defined philology as “reading slowly”-is to experience, always imperfectly, the possibility that the order of words, notably in metrics and the metrical nerve-structure within good prose, reflects, perhaps sustains the hidden yet manifest coherence of the cosmos.

Remembering Heraclitus: Convergences

Some notes from starting to read Richard Geldard’s Remembering Heraclitus, which picks up on some of the converging themes in my recent reading (Hadot, Plotinus, Heraclitus, Aurobindo, Beckett, Lispector, Woolf and Nietzsche in particular, also others). These originally were solely for my notebook but pick up on themes I am likely to refer to again in future posts.

“The mythopoetic influence of the Great Mother Goddess was pervasive even in the rich multi-cultural mix of Ephesean culture. By the Classical period, Artemis was still dominant and was worshipped as goddess of the Moon, and her cult was celebrated in her own festival in the month of Munychion (April-May). This strong feminine influence is important to Heraclitus because rather than the masculine sky gods being dominant as they were in Attic Greek religion and culture, the Ephesian religious ethos always had a strong feminine influence and would have been a strong influence on his vision. As we shall see, rather than the idea of “soul” being a weak, feline characteristic compared to masculine “spirit” in later Western philosophy and religion, soul for Heraclitus was powerful and possessed both generative and transformative powers.” Richard Geldard, Remembering Heraclitus

Do we forget that our earliest divinity was a goddess, who assumed the form of an egg, from which tumbled all things that exist?

“In this archaic religious system there were, as yet, neither gods nor priests, but only a universal goddess and her priestesses, women being the dominant sex and man her frightened victim? Fatherhood was not honoured, conception being attributed to the wind, the eating of beans, or the accidental swallowing of an insect; inheritance was matrilineal and snakes were regarded ad incarnations of the dead. Eurynome (“wide wandering”) was the goddess’s title as the visible moon; her Sumerian name was Iahu (“exalted dove”), a title which later passed to Jehovah as the Creator. It was as a dove that Marduk symbolically sliced her in two at the Babylonian Spring Festival, when he inaugurated the new world order.” Robert Graves, The Greek Myths

Eurynome reappears in Milton’s Genesis story as “the wide/Encroaching Eve perhaps,” though she no longer dances.

“The special significance of the years around 500 BC when Heraclitus was in his prime, was the cultural infusion of new thought characteristic of Ephesus must have reached an apex.[..] At this point in world history the culture of myth had sufficiently weakened in its influence to permit new visions of cosmic order and meaning, and what took the place of myth was a wholly new thing in nature. Although Hegel referred in his work to the birth of Christ as the pivotal moment in Western culture, we can say that 500 BC was the axis around which world culture really turns.” Richard Geldard, Remembering Heraclitus

In 500 BC the Buddha, possibly Lao Tse, Confucius and Zoroaster (Zarathustra) were spreading their investigations through teaching.

Karl Jaspers coined the term “Axial Age” to describe this period in the middle of the first millennium BC when the central texts of Chinese, Indian, Buddhist and Hebrew traditions were composed. I use the term texts with some caution as many were communicated orally and were not written for some time.

“Of particular importance at the end of the sixth century BC was the emergence in India of Advaita Vedanta, the non-dualistic religion based on the Hindu Vedas … which emphasised the individual’s autonomous role in transcending the superficial dualism of ordinary existence. Advaita teaches that the human self (atman in Sanskrit) is identical to the soul of things (Brahman). In our own time the foremost philosopher of Vedanta was Sri Aurobindo (Aurobindo Ghose, 1872-1950), whose useful essay on the similarities between Heraclitus and Vedanta was written in 1916-17. It is certainly possible that the main tenets of Vedanta found their way to Ephesus in the sixth century BC. If not, the similarities between the [Heraclitus] fragments and Vedanta suggest a strong argument for the emergence of similar thought over a wide are of the civilised world.” Richard Geldard, Remembering Heraclitus

“Heraclitus does deserve to rank high among the important figures of a crucial era of religious and philosophical development. He is central to the long line of thinkers who trace the thread of Unity through Western culture, including Pythagoras, Empedocles, Plato, Epicurus, Plotinus, St. Augustine, Meister Eckhart, Marcilio Ficino, Jacob Boehme and on to the Romantic and Transcendental idealists of the modern era.” Richard Geldard, Remembering Heraclitus

“In Plotinus the thought of Heraclitus found a new understanding [beyond its deep influence on both Plato and Aristotle]. In his hierarchy of being and theory of emanations [cross reference: Lucretius and Jane Bennett], Plotinus established an intellectual principle having clear correspondences with the Heraclitean Logos.” Richard Geldard, Remembering Heraclitus

The Womb of World Civilisation

It amuses me greatly when a degree of unconscious direction behind seemingly arbitrary reading choices becomes clear. What is intended to be patternless drifting from one book to the next, loosely following very broad themes, takes on the form of a literary centripetal force pulling towards a single area of study. Even a year ago I felt the pull towards the study of the Vedas, but resisted the tension, mainly because I couldn’t quite grasp where to begin. As Paul Deussen, a friend of Nietzsche’s, wrote in his old (1907) Outlines in Indian Philosophy, “European idleness tries to escape the study of Indian philosophy.” I still feel that inertia, intimidated by the immensity of the task. But, but …

Rereading Virginia Woolf’s The Waves one night, I came across Bernard’s monologue:

I am not one person, I am many people. I do not know who I am – Jinny, Susan, Rhoda, Neville or Louis – or how to distinguish my life from theirs – ‘we are bound not only to our friends but to the long-long history that began in Egypt in the time of the Pharaos when women carried pitchers to the Nile.’

I started going through The Waves and scribbling notes of instances where Woolf uses metaphors to indicate the relation of one to the many, that Nature is ‘one form in diverse mirrors.’ Both currents of thought were heavily present in my recent readings of Clarice Lispector, Pierre Hadot’s Plotinus and various interpretations of Heraclitus’ Fragments.

For instance, there is the following paragraph from Hadot’s superb Plotinus book:

Since we look towards the outside, away from the point at which we are joined together, we are unaware of the facts that we are one. We are like faces turned towards the outside, but attached on the inside to one single head. If we could turn around – either spontaneously or if we were lucky enough to ‘have Athena pull us by the hair’ [Homer], then all at once, we would see God, ourselves, and the All.

(Incidentally, not that I’ll dwell on the topic here, Plotinus’s notion of deification means the destroying of man, not the modern day religious notion of man living and working in God.)

The philosophical and historical worth of the Vedas has been acknowledged from Voltaire onwards, their influence of Greek culture is certain,  also on most of the major mystical and philosophical traditions, and from there to poets and story-tellers. “The Greeks may have been the cradle of Western civilisation, but the Vedas are the womb of world civilisation.” The more I read on the subject the more I see the influence on writers are diverse as Heraclitus, Plato, Plotinus, Kant, Vico, Woolf, Eliot (clearly), Lispector, Iris Murdoch, Nietzsche, and Emerson.

Please feel free to suggest essential or helpful texts that deal with the influence of the Vedas on Greek culture, or texts that help a curious amateur with the Vedas. This is likely to give some shape to my otherwise arbitrary reading over the next 6-12 months.

The Erotic Dimension of Pedagogy

As Bertram has shown in some splendid pages, we encounter the tradition of Socratic Eros and the educative daimon in Nietzsche. According to Bertram, the sayings sum up perfectly this erotic dimension of pedagogy. One is Nietzsche himself: “The deepest insights spring from love alone.” Another is by Goethe: “We learn only from those we love.” Finally, there is Hölderlin’s dictum: “Mortal man gives his best when he loves.” These three maxims go to show that it is only through reciprocal love that we can accede to genuine consciousness.

Pierre Hadot
The Figure of Socrates
Philosophy as a way of life

Dostoevsky, Notes From Underground: A List of Ten

Fyodor Dostoevsky

  1. Nabokov often displayed his contempt for Dostoevsky (whom he nicknamed Dusty) categorising him as one of the mediocre and overrated people.
  2. Dostoevsky’s Crime and Punishment, which I read as a teenager, a dozen times, remains one of my favourite books.
  3. Having read Crime and Punishment, The Idiot and The Gambler as a teenager, I associated Dostoevsky with my youthful reading history. I’ve waited far too long to return to his work.
  4. Notes From Underground which I’ve read twice this week might be my favourite Dostoevsky but that could just be post-literal glow.
  5. Howard Devoto based Magazine’s Song From Under the Floorboards on Notes From Underground.
  6. Viktor Shklovsky suggested that the nameless hero of Notes From Underground is nameless because ‘I’ is all of us.
  7. Structurally Notes From Underground is possibly perfect. That is why an immediate second reading felt  essential, to try to unravel how Dostoevsky composed this extraordinary novel.
  8. The counterbalance of despair and the blackest humour in Notes From Underground is deceptively brilliant. It reminds me equally of Sartre’s Nausea, and Rémy Belvaux’s satirical film Man BItes Dog (1992).
  9. Nietzsche read Notes From Underground in French translation, and was a self-declared Dostoevsky fan.
  10. Notes From Underground is one of the books regularly credited with marking the beginning of the modernist movement in literature.