Categories That Amuse

Voracious readers have regular dilemmas about what book to read next. At Of Books and Bicycles, the perplexity is of genre or category. Always the question of whether to read deeply to explore a category or individual writer thoroughly, or widely to embrace a wide selection of genres. The categories that provide amusement at the moment are:

  • Philosophy to deepen my reading of Nietzsche, Wittgenstein and Kierkegaard; also to explore Kant to whatever extent I am capable.
  • Literary criticism of the novel: contemporary texts like James Wood, Harold Bloom, Susan Sontag, Geoffrey Hill and Denis Donoghue; also earlier writing by Guy Davenport, Maurice Blanchot, Cyril Connolly and William Empson.
  • Fiction and non-fiction classics of all periods, with less emphasis on contemporary, and guided loosely by Bloom’s Western Canon.
  • Books about books, with the work of Alberto Manguel and Michael Dirda top of my list.
  • Natural history, inspired by my deep enjoyment of Roger Deakin.
  • A sprinkling of science, certainly all the output of cosmologist Paul Davies.
  • Psychology, working my way slowly through Freud’s essays and lectures.
  • Travel classics like Wilfred Thesiger, William Dalyrymple, Patrick Leigh Fermor.
  • Culinary-lit, particularly M. F. K. Fisher and Ruth Reichl

This is hardly comprehensive and is subject to whimsy.

My Reading Years

My insatiable appetite for reading was borne from scarcity. Growing up in the Far East, the local bookshop thrived off the sale of potboilers: Arthur Hailey, Wilbur Smith, Ed McBain. Thirty years ago, the latter two writers formed a significant part of my early reading consumption.

During my years of formal education, my taste evolved into science fiction, particularly Robert Heinlein and Kurt Vonnegut. William Gibson and Neal Stephenson followed. Discovering Dostoyvsky and Kafka in my late teens changed my literary landscape. Crime and Punishment and The Metamorphosis were jump leads that accelerated my reading. Throughout my twenties I read omnivorously, with an insistence to finish every book I started: Proust, Nietzsche, Sartre, Saul Bellow, Philip Roth, Chekhov, Balzac, Maupassant.

Entering my thirties, bruised after a disastrous first marriage, I motored at a more sedate pace. Enthusiasms during this period are a source of blushes today: Nick Hornby, Iain Banks and John Updike. Eventually I drifted away from reading fiction, partly as a consequence of a heavy Masters reading list. Instead I read economics, history, travel, biographies and architecture.

Today, having crossed decisively into my forties, my taste for reading fiction is revived. My inclination though is resolved to read better, to spend time only on what is, or might be, worthwhile. I drift easily from essays, diaries, biographies back to fiction. I reread little, putting this off for another time. My hunger for the unread is intense. As I read I create myself.