Transitory mental representations recorded on off-white paper in black printing ink convey a sequence of ideas from one self to another. Though we can describe the pattern recognition that makes this complex act possible, it is no less extraordinary that our species evolved cortical space surely wired originally for an entirely different process. How much is lost in the translation between one self and another we can only speculate as so much of reading is shaped by associative memories, environmental encoding and personal experience. However eloquently we can describe the science of reading, the improbability of reading and its transformative potential never fails to fill me with something close to spiritual awe.
Despite modernist literature’s attempt to stimulate a less socially conservative form, prose fiction remains locked into realist, figurative linear narrative, a form perfected in the nineteenth-century novel. Although other art forms, with different degrees of success, have shaped and stimulated their audience’s curiosity, literature seems unable to move substantially away from books that are easy to understand and consume, works that function to confirm preexisting assumptions.
There won’t be a large audience for Maria Gabriela Llansol’s fiction. It belongs to an earlier attempt to find a more authentic way than linear narrative to represent those transitory mental impressions. It is structured more like the way our minds swerve this way and that, pursuing different recollections and allusions, blending together voices from what we’ve read and lived. The absence of a subjective ‘I’ is as unsettling as when we first appreciate how illusory is our own experience of self as an integrated, cohesive character. Oscar Wilde is aware of the challenge of art, writing, “It is the spectator, and not life, that art really mirrors.” This propensity is asserted powerfully in the contemporary popularity of auto-fiction, embodying the narcissism that may be the hallmark of our age.
After a second reading, I’m reluctant to stop reading Llansol’s Geography of Rebels trilogy, an exhilarating mental and sensual experience that compels the reader to use their own imaginative resource.