The Thomas Jesus

There was a strong sense while reading J. M. Coetzee’s The Childhood of Jesus that there was much going on that was eluding me, to the degree that I wanted to dig a little deeper. The piece below references the apocryphal infancy gospels that are not permitted to be part of the biblical canon. While I was vaguely aware of their existence, it is quite clear this is a rabbit hole I must follow, not only to do justice to the concentration of thought and feeling in Coetzee’s novel and to prepare to read its sequel The Schooldays of Jesus, but also for curiosity’s sake.

Coetzee’s novel is quite different to what came before, to which he eludes in his exchange of letters with Paul Auster, Here and Now: Letters 2008-2011:

“One can think of a life in art, schematically, in two or perhaps three stages. In the first you find, or pose for yourself, a great question. In the second you labour away at answering it. And then, if you live long enough, you come to the third stage, when the aforesaid great question begins to bore you, and you need to look elsewhere.”

It is I think a very fine novel, one to which I intend to devote time thinking, but it also prompts me to reread some of Coetzee’s earlier work (I’ve read everything) to see how they foreshadow The Childhood of Jesus. In some cases, they seem very directly to do so. One of the reviews I read posed this question: ‘what might happen if characters from previous work were reborn in a new one, with only shadow memories of their prior selves.’ I find this idea very intriguing and, at very least, wish to re-read Life & Times of Michael K, Elizabeth Costello, The Master of Petersburg and Foe, all of which are echoed, to some degree, in The Childhood of Jesus.

“In the canonical New Testament gospels, there is only one reference to Jesus as a boy before the age of twelve and his famous visit to the temple. That is in Luke (2.40), where it is simply said that Jesus ‘grew and became strong’. But there were infancy gospels that did not make the cut, or make it into the canon. (They might be said to be like David’s lost letter.) The infancy gospel called pseudo-Matthew resolves the issue [was he fully human as well as fully divine throughout his life] just raised by having Jesus calm Mary and Joseph about it: ‘Do not be afraid nor consider me a child; I always have been a perfect man and am so now.’ But in the earliest infancy gospel, that of Thomas, the bearing of that narrative on Coetzee’s novel is very clear. In that gospel Jesus is most definitely a child, or perhaps a vindictive and petulant and very childish small adult. A boy bumps into the child Jesus at one point, and Jesus strikes him dead. Another boy displeases him and is said to be ‘withered’. And, again very directly mirroring particular elements of David’s story, the young Jesus is taken by Joseph to Zacchaeus to learn to read, and Jesus outwits and humiliates him to the point where Zacchaeus begs Joseph to take him away. (Jesus, it is clear, does not need to learn to read.) He is later taken to learn Greek and Hebrew (which again he clearly already knows) and in a fit of anger he kills the teacher, although he brings him back to life. (In the novel, David has kept secret that he taught himself to read, and he torments his teacher, señor Léon, until the teacher insists the boy be removed.) Moreover the Thomas Jesus performs miracles that are much more like feats of magic than benevolent displays, and David says several times that he is and will be a great magician. These cannot be accidental and they go beyond irony, or at least that first sort of exasperated irony. If David is not merely an ironic ‘Jesus,’ then in this sense – and perhaps in another irony – he is more ‘realistically’ ‘divine’ and ‘human’ (‘age-appropriate human’) than the ‘official’ biblical Jesus, and is much more like the Thomas Jesus.”

J. M. Coetzee’s The Childhood of Jesus: The Ethics of Ideas & Things, edited by Jennifer Rutherford & Anthony Uhlmann

Form Becomes the Preoccupation

Anthony Uhlmann quoted Beckett in Samuel Beckett in Context on language as a barrier to communication, and why, as a consequence ‘form itself becomes a preoccupation,’ so it was good to track down the whole quotation below:

…there will be new form…and this new form will be of such a type that it admits the chaos and does not try to say that the chaos is really something else…That is why the form itself becomes a preoccupation, because it exists as a problem separate from the material it accommodates. To find a form that accommodates the mess, that is the task of the artist now.

Beckett interview with Tom Driver
Columbia University Forum (1961)

Literature that embraces this challenge is what really thrills me.

Beckett: A Bibliography of Secondary Literature (edited 16/04/13)

My starting point for Beckett is the four-volume Grove Press Centenary edition, containing seven novels, thirty-two dramatic works, thirty poems, fifty-four stories, texts and novellas, three pieces of criticism. Though not a true Collected Works, the set forms the essential part of the Beckett canon. I’m now reading Beckett’s Trilogy: Molloy, Malone Dies and The Unnamable (sharing the reading with Emily).

Of the thirty or so writers that constitute the core of my literary exploration, I like to go beyond the primary works. Looking past the Grove Press collection I intend to read an enlightening biography, the letters and Disjecta: Miscellaneous Writings and a Dramatic Fragment. But which biography, and what other ‘divine analysis’ is worth reading?

Beckett distrusted biography as a form of knowledge but curiosity is irrepressible and Knowle’s biography the most illuminating. Beckett critical scholarship is vast and frequently dull, but what are the works that, to quote Hugh Kenner are not intended “to explain Samuel Beckett’s work but to help the reader think about it.” Which works are worth exploring? Starter list below, please help me to add any worthy titles (or to remove discredited or dull works):

  1. Damned to Fame: The Life of Samuel Beckett – James Knowlson
  2. The Irish Beckett – John P Harrington
  3. Beckett Remembering: Remembering Beckett: Unpublished Interviews with Samuel Beckett and Memories of Those Who Knew Him  – James Knowlson
  4. Flaubert, Joyce and Beckett: The Stoic Magicians – Hugh Kenner
  5. Samuel Beckett: A Critical Study – Hugh Kenner
  6. The Beckett Canon – Ruby Cohn
  7. Beckett’s Dying Words – Christopher Ricks
  8. “Where now? Who now?” (The Book to Come) – Maurice Blanchot
  9. Know happiness – on Beckett (Very Little…Almost Nothing) – Simon Critchley
  10. Beckett’s Fiction – Leslie Hill
  11. Narrative Emotions: Beckett’s Genealogy of Love (Love’s Knowledge) – Martha Nussbaum
  12. Saying “I” No More – Daniel Katz
  13. Samuel Beckett: Photographs – John Minihan
  14. Samuel Beckett (Overlook Illustrated Lives) – Gerry Dukes
  15.  Beckett chapter (Theatre of the Absurd) – Martin Esslin
  16. Beckett: “En Attendant Godot” and “Fin de Partie” (Critical Guides to French Texts) – J.P. Little
  17. The Beckett Country – Eoin O’Brien
  18. Samuel Beckett and the Meaning of Being – Lance St. John Butler
  19. How it Was – Anne Atik
  20. No Author Better Served – edited by Maurice Harmon
  21. Samuel Beckett: Humanistic Perspectives edited by Morris Beja
  22. Review of Contemporary Fiction, volume 7, #2, Samuel Beckett issue
  23. The Mechanic Muse – Hugh Kenner
  24. Just Play: Beckett’s Theater – Ruby Cohn
  25. Innovation in Samuel Beckett’s Fiction – Rubin Rabinovitz
  26. The Drama in the Text – Enoch Brater
  27. Bram van Velde (Grove Press)
  28. The Grove Companion to Samuel Beckett – Stanley E. Gontarski
  29. On Beckett – Alain Badiou
  30. Samuel Beckett’s self-referential drama – Shimon Levy
  31. Samuel Beckett – Andrew Gibson
  32. Samuel Beckett and the end of modernity – Richard Begam
  33. Beckett and Poststructuralism – Anthony Uhlmann
  34. Samuel Beckett: Repetition, Theory, and Text – Steven Connor
  35. Beckett: A Guide for the Perplexed – Jonathan Boulter
  36. Remembering and the Sound of Words: Mallarmé, Proust, Joyce, Beckett – Adam Piette
  37. A Reader’s Guide to Samuel Beckett – Hugh Kenner