Pascal Quignard’s Work

Pascal Quignard’s work belongs in a no-mans-land between what is long since past and what is still to come, reeling on the edges between literature, antiquarianism and philosophy. Texts like The Roving Shadows and Abysses seem so fresh yet also inevitable in terrain carved by writers like Calasso, Sebald, John Berger and Cixous. To find Quignard’s precursors you could go further back to Montaigne, Bacon, even Erasmus.

I have such hunger for these works that find new ways of questioning and expressing knowledge. Quignard’s work demands and refuses easy interpretation in the way that older essayists used the form to test ideas, where cognition proceeds through flashes and rereading (I read The Roving Shadows once before). Structured as a mixture of fragments and lengthier, more structured essays Quignard reflects on the philosophers of Greece and Rome (mostly but not exclusively) interwoven with touches of autobiography and outrage.

I also read Sex and Terror which uses visual arts to explore the edges where Greek civilisation and Roman civilisation overlapped with seismic reverberations that are still being felt in the present day. It is less demanding than the other two, but equally enlightening.

Chris Turner’s translation of all three books (once again from the wonderful Seagull Books) is so beautiful that I intend to collect a couple in the original French to see what I am missing. Quignard’s work is important, moving and powerful in equal measure and deserves to leave a significant trace. He is one of those writers who will divide my life (not just reading) into a before discovery and after.

There is another world

There is a world in which ages are not equal, the sexes not undifferentiated, roles not equivalent and civilisations not easily confused with one another.

There is a world in which the ignorant are not the equal of the learned, the oral does not have the same ‘voice’ as the written, nor the vulgus as the atomos, nor barbarians as civilised beings.

There is another world.

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There is a world that belongs to the shore of the Lethe.

That shore is memory.

It is the world of novels and sonatas, the world of the pleasure of naked bodies that love the half-closed blind or the world of the dream that loves it even more closed, to the point where it feigns the darkness of night or contrives it.

It is the world of magpies on graves.

It is the world of solitude required for reading books or listening to music.

The world of tepid silence and idle semi-darkness where thought drifts, then suddenly seethes with excitement.

Pascal Quignard, The Roving Shadows. trans. Chris Turner. Seagull Books, 2011 (2002)

Revisiting an old friend, my first Quignard and one of those coincidences that provides much joy: I had forgotten that The Roving Shadows is, in part, a tribute to Junichiro Tanizaki’s In Praise of Shadows, which Des has highly recommended to me. It was awaiting me under the Christmas tree this morning.