Lessons in Solitude

Jonas Burgert

Whether subconscious intention, some ‘factor X’ effect of the sort posited by Colin Wilson, or, as I prefer to think, pure serendipity, my recent reading is coalescing loosely around oneiric elements and a ‘retrieval of the archaic.’ Or I may well be delusional and seeing links where none exist. All are possibilities.

Mircea Cărtărescu’s ‘taste for things extravagant’ is paired well with my current favourite podcast Weird Studies, the latest centres on Colin Wilson’s classic study of Western esotericism, The Occult, which I thirstily gulped down as a teenager. Wilson’s view of the occult, as described in the podcast: ‘some kind of ether, some kind of energy, some force we don’t understand at work in the world thats deeply essential to the way we experience the world, which we need to come to grips with . . .’ wouldn’t have stood too far, I think, from Hans Blumenberg’s conception of metaphysics.

I read Blumenberg’s The Laughter of the Thracian Maid with reverence, but won’t write an account, not at least without a further less ardent reading. If you like the fragments I’ve posted, you will find a rare treat awaits you.

Spencer Hawkins, translator of Blumenberg’s book, also wrote an afterword that reads more like an introduction; nevertheless it further fuels my interest to read more of Blumenberg’s work: ‘[his] work remains, in many regards, a reflection on reclusion: a highly documented account of a life spent apart from the world, suspicious of common understandings, and in pursuit of his lessons of solitude.’

One of my favourite paragraphs.

‘The study of Being must constantly detach itself, particularly from everything that has already been there before. That also goes for the historical distance in which Thales belongs: the pre-Socratics, to the surprise of those who considered them to represent starting points—as well attested by written transmission—prove to be a mere afterglow of what came before them. The mythology painstakingly reworked by them, perhaps more concealed than overcome, is also just such a sunset view of something withdrawing itself irrecoverably from us. And withdrawing mercifully, because we would simply not be up for its concealment, as has always been the case with whatever yields the highest privilege to the survivor capable of documenting what he may only perceive fading behind him.’

I cannot read the word mere without the mere breath of Job’s interlocutors, devoid of substance.

Idées Fixes of the Week

Girl in a Blanket (1953) Lucian Freud

Freud’s captivating Girl in a Blanket appears on the front cover of Henrietta Moraes’ memoir, Henrietta, which I have sampled in small doses alongside Colin Wilson’s Adrift in Soho. I’m fascinated with the louche, hedonistic Soho that stretched between the beat and post-hippie eras. (Moraes called the unfinished sequel to her memoir Fuck Off Darling, which is of course just perfect) Nothing of the Bohemian lifestyle that Moraes and her milieu lived could be tolerated in our age of surveillance, net curtain twitching and consumerism as economic ideology.

I suspect that Michel Houellebecq would’ve fitted neatly in with Morae’s crowd. They would have appreciated his Beckettian mirthless humour, the finest, or at least healthiest, antidote to nihilism. My rereading of Houellebecq’s oeuvre continues, impeded only by my return to wage-orientated labour after four blissful months of reading, travel, navel gazing and walking.

Briefly but intensely compelled to dip into Angela Carter’s work last week, nagged during an insomniac night with echoes of her highly wrought style in the depiction of sexuality in Houellebecq. There are surely broad similarities in the caustic and subversive humour of both writers. I am overdue an immersion once again in Carter’s work.