A Idea Bubbling Away

What remains of fiction read in our most formative years? An atmosphere, certain sentences, some nuances of character, memories anchored in the place and time a book was read. A quarter of a century after reading a story I still retain not-quite images, not-quite sensations, but definite specific memories. A woman sitting on a thistle in order to fix a memory; a teenager-who would become a junkie-coming to Swiss Cottage to meet his sister; a man hidden underground while spies search overground for his traces, each memory almost as real as if they had happened beyond the pages of a book.

I read differently in those days, before the internet, when I relied on browsing and serendipity to lead me from one book to the next. When I read something that made the world feel charged, made me see, hear, sense the world around me in new ways, I read and reread, often reading a book three or four times in a row, and again after a few month’s break.

Those books, which wouldn’t fill much more than a typical shelf make me curious. Some of them are almost certainly poorly written, many riddled with cliché, some maybe ideologically unsound, but what would it be like to return to them now, to re-explore those early encounters?

Would it be awful, inadvisable to put together a short reading list? It would be primarily a list of male writers, curated not to allow an imbalance of science fiction. There would perhaps be some William Gibson, a Patricia Highsmith, maybe Kingsley Amis, Trevanian, Winston Graham, Iain M. Banks, Kem Nunn, maybe a Neal Stephenson, almost certainly a Richard Allen or two, perhaps Anne Tyler, Paul Theroux, J. P. Donleavy, Douglas Coupland or Nicholson Baker and Margaret Atwood. (There is also a very long list of those I know I couldn’t stomach again.) This is probably a rotten idea. I hope it goes away.

Denton Welch’s Maiden Voyage

I resolved to read Denton Welch this year, enthused by Des’s advocacy, though the timing was determined by catching sight of a rather distinctive edition of Maiden Voyage, his first novel, in one of the Cecil Court bookshops: an American first with dust wrappers and end papers drawn by Welch.

With measured and precise description, Welch applies a loupe to people and objects. Although my copy is an American edition, I wonder whether an American reader would get the same pleasure from Welch’s empathetic observation of the nuances of that colossal curse of the English, its class system. Welch’s way of noticing the small things of life ends up creating a fictional (lightly autobiographical) world of epic proportion, one that is singularly alluring.

An extraordinary tension is set up in Maiden Voyage. As Michael Schmidt writes in his study, The Novel: “Welch’s prose is full of paradoxes, his stories of themes that are more telling for being undeclared.” The novel’s narrator often appears reserved, almost priggish, though there is a homoeroticism that almost but never quite breaks surface. It is similar to the sexual tension that suffuses Patricia Highsmith’s writing.

Maiden Voyage tells the story of a boy brought up in east Asia, after his mother’s death he is sent off to an absurd English public school, which he loathes, and from which he briefly absconds. As this storyline so exactly matches my own, I’m the ideal reader for Welch’s story. But beyond that, I am utterly compelled by his attention for small things. Elemental truths lie behind the sights, smells and sounds of apparently banal objects. Writers like Woolf, Proust and Welch sharpen our sights for things that would otherwise remain invisible to us.

“Reading the Girls” List Version 1.3

About a fortnight ago I asked for help. In response to writer Maureen Johnson’s convincing polemic against the way that publishers and critics present female writers I asked, “Can you add to the list of female writers I ought to be reading?”

Johnson listed several that revealed new possibilities:

Edna Ferber, Diana Wynne Jones, Kate Chopin, Patricia Highsmith, Miles Franklin, Charlotte Perkins Gilman, Shirley Jackson, Lillian Hellman, Zora Neale Hurston, Toni Morrison, Carson McCullers, Flannery O’Connor, Edith Wharton, Eudora Welty, Ursula LeGuin, Octavia Butler, Virginia Woolf, Marianne Robinson, Lorrie Ann Moore, Joyce Carol Oates, Margaret Atwood, Grace Paley, Barbara Kingsolver, Mary McCarthy, Paula Vogel, Suzan-Lori Parks, Edwidge Danticat.

In the comments to my post, readers made some great suggestions. These are too good to be buried in comments, so I list them below. There’ll be some we know and love, and others that offer an opportunity for discovery.

  1. Annie Dillard
  2. Francine Prose
  3. A. S Byatt
  4. Zora Neale Hurston
  5. Nicole Krauss
  6. Valerie Martin
  7. Helen Oyeyemi
  8. Marilynne Robinson
  9. Zadie Smith
  10. Eudora Welty
  11. Clarice Lispector
  12. Catherine Rey
  13. Nadine Gordimer
  14. Simone de Beauvoir
  15. Aphra Benn
  16. Phillis Wheatley
  17. Herta Muller
  18. Sigrid Undset
  19. Katherine Anne Porter
  20. Shirley Jackson
  21. Shirley Hazzard
  22. Shirley Ann Grau
  23. Baroness Blixen (Isak Dinesin)
  24. Rebecca West
  25. Beryl Markham
  26. Elspeth Huxley
  27. Jennifer Egan
  28. Elinor Lipman
  29. Georgette Heyer
  30. Gail Scott
  31. Lydia Davis
  32. Aimee Bender
  33. Carole Maso
  34. Ingeborg Bachmann
  35. Marguerite Duras
  36. Rosalind Belben
  37. Amelie Nothomb
  38. Olive Moore
  39. Evelyn Scott
  40. Helen DeWitt
  41. Joanna Scott
  42. Alice Munro
  43. Cynthia Ozick
  44. A. M. Homes
  45. Janice Galloway
  46. June Akers Seese
  47. Marguerite Young
  48. Susan Daitch
  49. Rikki Ducornet
  50.  A.L. Kennedy

Thank you so much for those suggestions: Kevin of Interpolations, wrappedupinbooks, Jen of Being in Lieu, verbivore of Incurable Logophilia, Emily of evening all afternoon, Steven Riddle of A Momentary Taste of Being and jaimie.