For a whimsical purchase one Sunday afternoon, I’m pleased with the rich provocations in Tim Parks’s Where I’m Reading From, a collection of powerful essays written for the New York Review of Books.
Parks’s clear incisive discussion of contemporary criticism, translation and literary convention is uncommonly fresh, but it is the essays on literary globalisation that strike me with greatest intensity. These essays, in particular, makes some of the stakes clear of a relentless pressure to make novels attractive to a global audience. I quote a passage here from his essay Writing Adrift in the World:
Perhaps the problem is rather a slow weakening of our sense of being inside a society with related and competing visions of the world to which we make our own urgent narrative contributions; this being replaced by the author who takes courses to learn how to create a product with universal appeal, something that can float in the world mix, rather than feed into the immediate experience of people in his own culture.
I’m surprised not to have come across Parks’s essays before. His essays share the passion and flair I associate with Joseph Epstein, Zadie Smith (a better essayist than novelist) and Geoff Dyer.
Parks also leaves me with a tantalising list of reading suggestions to look into, including an earlier collection of his own essays.