It is generally with bewilderment that I watch the extreme emotional public reaction that accompanies the death of public figures. When in reaction to the unsurprising deaths of very old men and women it is I suppose some sort of rejection of the inevitability of death, a very public denial of death. I imagine there is also some comfort in the social solidarity of the moment, but as I wrote in my last post, I’ve never been clubbable. I do wish however to mark the death of Mark Fisher (1968 – 13 January 2017). His writing, at k-punk and elsewhere, resonated deeply.
“But where does this tone – with its strange mixture of the middle-aged and the adolescent – come from? The quick answer is class background. The tone of light but relentless ridicule, the pose of not being seen to take things too seriously, has its roots in the British boarding school. In an article for the Guardian, Nick Duffell, author of Wounded Leaders: British Elitism and the Entitlement Illusion (Lone Arrow Press), argued that, from around the age of seven, boarders are required to adopt a “pseudo-adult” personality, which results, paradoxically, in their struggling “to properly mature, since the child who was not allowed to grow up organically gets stranded, as it were, inside them.”
“Boarding children,” Duffell continues, “invariably construct a survival personality that endures long after school and operates strategically … Crucially, they must not look unhappy, childish or foolish – in any way vulnerable – or they will be bullied by their peers. So they dissociate from all these qualities, project them out on to others, and develop duplicitous personalities that are on the run.”
Now that the working-class perspective has been marginalised in the dominant British media and political culture, we increasingly live inside the mind of this psychically mutilated adolescent bourgeois male. Here, ostensible levity conceals deep fear and anxiety; self-mockery is a kind of homeopathic remedy that is used to ward off the threat of an annihilating humiliation. You must never appear too much of a swot; you must never look as if you might like or think anything that isn’t already socially approved.”
From The strange death of British satire by Mark Fisher
Fascinating to read ‘Good for Nothing.’ I didn’t know anything about Mark Fisher until reading your post and the links via Andrew Gallix. Having grown up on Welsh housing estate, Fisher’s ideas feel very resonant for me. I’m sure I’ll explore them further. I’m only sorry that I found out about them this way.
Both “Capitalist Realism: Is there no alternative?” and “Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures” are very worth reading, and I’ll be reading “The Weird and the Eerie” very soon. I hope that his writing on k-punk is preserved somewhere.