For reasons I can’t really explain there’s a fusing of Ludwig Wittgenstein and Robert Walser in my mind. I’m unable to think of one without the other. I suppose they were contemporaries and both shared a passion, even obsession, with the way that language can be used to show, or obscure, the world. That aside, their paths could not be more different. Walser’s journey ended in a mental hospital, unable, or unwilling to write.
It is from this point that Her Not All Her loosely resuscitates Robert Walser. Elfriede Jelinek, in a beautiful Cahiers Series publication, uses Walser’s voice as the starting point for a prose-poem about language, memory and artistic creation. I’ve read it twice and am very taken with the beauty of Jelinek’s prose (as translated by Damon Searls). It is written to be performed on stage and not intended as a short story, a performance I’d love to see one day.
Alongside the prose are a series of reproductions of Thomas Newbolt’s ‘Head’ paintings. Newbolt’s work is new to me, but I am as stunned by his powerful paintings as by Jelinek’s prose.
This is a cryptic work that I am nowhere near the end of unpicking and contemplating. If you have read this edition, I’d love to have a conversation to see what you make of it.
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