If I were asked which publisher I admire most, I should say Seagull Books. In truth, possibly because I never request and very rarely accept review copies, I give individual publishers little thought (though I do also have fondness for Sylph Editions’ Cahiers Series). It is of course individual writers and their work that interests me.

I am especially fond of Seagull Books for two reasons: their commitment to making printed books that aspire to the highest aesthetic standards, and the specific writers and translators they publish. As this excellent essay on Seagull Book states, “Seagull’s identity hinges on Kishore’s personal encounters with writers and translators he meets, signs on, gets to know and not just likes but lavish affection on. His passion for a certain kind of publishing expresses itself as a romantic yearning, the professed need to be close to the great, to return to that word, in literature and art.”

At the moment I am slowly reading Ivan Vladislavic’s The Loss Library and Other Unfinished Stories, slowly because the essays inside are light, bright, and sparkling. David Winters captures their essence well in this review. Essays aside, the book itself is a joy, including the 12 collages by Sunandini Banerjee that accompany each essay. You can tell that this is a publisher that cares deeply about the books they produce.

Seagull Books has the depth and quality of backlist that feels like you can pluck off their shelves any one of the editions and be almost assured of a singularly rewarding experience. This afternoon I rummaged through my library and collected all my Seagull titles together, which includes old chestnuts like Sartre, Bernhard, Handke, Quignard and Schwarzenbach, but also new discoveries await like Nooteboom, Clément and Hilbig.

It is the sort of backlist that ignites my inner bibliophile urge to collect everything, but thankfully the scale of Seagull’s backlist outstrips the funds at my disposal.