Between the Lines

Chantal Joffe: Emily with Sugar I, 2016

How to read well amidst infinite streams of information and data? Arriving at the closing pages of a long book, Anna Karenina, in my case, feels like more of an achievement than it should, but it is all too easy to get distracted. Paradoxically, inhabiting the world of a long book is one of my favourite ways of spending time on this planet. This year I’d like to embrace the resilience found in the pages of long stories like War and Peace and Moby Dick. Slowly journeying between the extended anchor points of the opening and closing pages of long books, percolating through time, allowing the linearity of time to be dissolved. Less is more and more.

Anna Karenina gave me a richly varied cornucopia of bilious old men, strutting peacocks, beautiful women, awkward peasants, uncouth nobility, cattle, rural politics, scything techniques, abundances of a different type, but what lingers are the exquisitely and precisely rendered emotions. Beware of the green-eyed monster which mocks the meat it feeds on. In Anna Karenina, the Lord of Jealousy steps in, inhabiting the text as a fully developed character You might read any number of books on the subject but come to Anna Karenina to truly understand its malignant force.

This year begins with Clarice Lispector’s The Passion according to G. H., translated by Ronald W. Sousa. I’ve been unable to read beyond the first paragraph, which I reread, inscribe into two different notebooks and now into the internet. It recalls a passage I love from Michel Serres’ Thumbelina: I am sometimes unknown to myself and on display at one and the same time. I exist, therefore I am a code. I am calculable and incalculable, like a golden needle, plus the haystack in which, buried, its brightness lies hidden.

I keep looking, looking. Trying to understand. Trying to give what I have gone through to someone else, and I don’t know who, but I don’t want to be alone with that experi-ence. I don’t know what to do with it, I’m terrified of that profound disorganization. I’m not sure I even believe in what happened to me. Did something happen, and did I, because I didn’t know how to experience it, end up experiencing something else instead? It’s that something that I’d like to call disorganization, and then I’d have the confidence to venture forth because I would know where to come back to: to the prior organization. I prefer to call it disorganization because I don’t want to ground myself in what I experienced — in that grounding I would lose the world as it was for me before, and I know that I don’t have the capacity for another one.

Thank you to those that sent messages in response to my last post. Your interest is greatly  appreciated. It is always gratifying to know that these words travel through different conceptual worlds and times to enrich readers.

Deaths (Michel Serres)

We no doubt became the humans we are from having learned – will we ever know how? – that we were going to die. . . But, by ending up destroying our lives, death constructs them: without the stiff cadaver it leaves behind, without the sex it was long believed to imply or the irreversible time it brings about, would we ever have painted the walls of caves, lit fires, sung within the lacework of language, danced for the gods, observed the stars, demonstrated geometrical theorems, loved our companions, educated children, lastly lived in society?

Michel Serres, Hominescence, translated by Randolph Burks